Behringer TM300 Music Pedal User Manual


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TUBE AMP MODELER TM300
Ultimate Tube Amp Modeling Eects Pedal
Thank you for showing your condence in us by purchasing the BEHRINGER TUBE AMP MODELER TM300.
This high-quality eects pedal provides 3 classic guitar amps, 3 gain modes and 3 mic placements for a
total of 27 congurations that let you easily achieve the most sought-after tube amp sounds from clean,
crunch to super-fat distortion. Thanks to its high-performance features you can achieve the typical hard
rock or heavy metal distortion sounds.
1. Controls
(1) The LEVEL control adjusts the output level.
(2) The LOW control allows you to boost/cut the low-frequency range.
(3) The HIGH control allows you to boost/cut the high-frequency range.
(4) The DRIVE control adjusts the amount of overdrive eect.
(5) The MIC switch simulates the microphone placement (orientation and distance) in relation to
the cabinet. Select CLSIC (Classic: distant mic placement without ambience) to achieve high
mid-range content and a greater denition of notes like with classic early tube amps. In CNTR
(Center: close miking at the center of a cone) you get greater high mid-range content and increased
low-end for mega crunchy results. OFF X (O Axis: close miking at the edge of a cone) is very similar
to CNTR, but produces a smoother, softer sound with less upper mid-range content; perfect in
combination with MODE position HOT.
(6) Use the MODE switch to dial up one of 3 gain settings (HOT, HI G, CLN) that you want to combine
with the amp setting.
(7) Use the AMP switch to select one of 3 great classic tube amps. You will recognize these classic amp
tones as soon as you hear them. For crystal-clear, transparent sounds with dynamic bass select TWEED.
For aggressive mids and incredible sustain select BRIT(ISH). Rounder and more evened-out (yet still
sophisticated) sounds can be dialed up if you select CALIF(ORNIAN); it’s perfect for leads.
(8) The ON/BATT LED illuminates when the eect is activated. It also serves as a battery level indicator.
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