Filter
Top Products
47
1. Select MIDISync Output ...................................
[MTC30, MIDIClock, Off]
Select the type of synchronization data that will be
transmitted from the [MIDI OUT] connector.
MTC30 (MTC30: On): MTC30NDF (MIDI Time
Code 30 non-drop frame) will be transmitted.
MIDIClock (MIDI Clock: On): MIDI Clock will be
transmitted.
Off (Gen: Off): Synchronization data will not be
transmitted.
Synchronizing a MIDI sequencer to the
D16
Here’s how you can use MIDI Clock or MTC (MIDI
Time Code) messages transmitted from the D16 to syn-
chronize your MIDI sequencer, with the D16 acting as
the master device and your MIDI sequencer acting as
the slave.
1 Use a MIDI cable to connect the MIDI IN connector
of your MIDI sequencer to the [MIDI OUT] connec-
tor of the D16.
2 Select the type of synchronization messages that
will be transmitted from the [MIDI OUT] connector.
This selection is made in the [SYSTEM] “Sync” tab
page.
To control using MIDI Clock, select “MIDI Clock.”
To control using MTC, select “MTC30.”
3 Set your MIDI sequencer so that it will receive and
synchronize to MIDI Clock/MTC messages from an
external device. (For details refer to the owner’s
manual for your MIDI sequencer.)
Set the master device and slave device to the same
tempo and time signature.
4 Start your MIDI sequencer (put it in playback
mode).
5 Press the [PLAY] key of the D16 to start playback,
and the MIDI sequencer will also begin playback at
the tempo specified by the D16.
This operation is not possible if your MIDI
sequencer does not support either MIDI Clock or
MTC.
P4 DiskUtil: Initializing/
formatting/checking a drive
Here you can initialize, format, and check a drive.
When using a disk for the first time to record/play a
song, you must initialize or format the disk.
• Initialize should be performed erase the contents of
a newly purchased drive before using it for the first
time.
• Format should be performed before a disk that had
been used on another device is used on the D16, or if
“DiskError” messages appear frequently during
playback.
Initialize/Format are not required for a removable
disk that is used for backup/restore.
Be aware that when you execute Initialize or For-
mat, all data on the affected drive will be lost.
1. Drive ID .............................................[I, A…G]
Select the drive that will be initialized, formatted,
or checked.
If you press the “ ” button, you will be able to
select from a list.
I: Internal IDE
A: SCSI ID0, B: SCSI ID1, C: SCSI ID2, D: SCSI ID3,
E: SCSI ID4, F: SCSI ID5, G: SCSI ID6
“G” is the ID for CD-R and CD-RW. It can also be
selected for a HDD (hard disk drive).
2. Device Type, Total Size................... (HDD, RMD)
This shows the type and capacity of the drive.
HDD: Hard Disk Drive
RMD: Removable Disk Drive
* Removable disk drive is a collective term for
drives that allow the disk to be removed, such as
magneto-optical, Zip, and Jaz drives.
3. Format Type.............................................(P, B)
This shows the format type of the disk.
The drive that was installed in the D16 when it was
shipped from the factory and external drives initial-
ized or formatted when connected to the D16 will
be shown as “playable type.” All others drives will
be shown as “backup type.”
P (Playable Type): used for creating songs
B (Backup Type): used for backup
Master recorder (DAT, MD, etc.)
Mixer
MIDI keyboard
Guitar
Mic
MIDI tone generator
MIDI interface
Slave
MIDI Clock/MTC
Master
MIDI
OUT
MIDI
OUT
MIDI
OUT
MIDI
IN
MIDI
IN
MIDI
IN
GUITAR
IN
INPUT 2
L
L
R
OUTPUT
OUTPUT
INPUT
INPUT
L
R
R
L
R
INPUT
7, 8
S/P DIF
OUT
MASTER
OUT
DIGITAL
IN
MMC
MIDI
OUT
MIDI
IN
D16
MIC1
BAL
OR
UNBAL
LINE IN 1
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
LINE IN 7-8
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 9-10
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 11-12
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 13-14
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
STEREO AUX RETURNS
1
2
1
2
AUX SEND
LEFT(1/MONO)
RIGHT
ALL BAL/UNBAL
L
R
TAPE
INPUT
TAPE
OUTPUT
MAIN OUTS
L
R
BAL/UNBAL
PHONES
MICRO SERIES 1402-VLZ
14-CHANNEL MIC/LINE MIXER
MIC2
BAL
OR
UNBAL
LINE IN 2
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC3
BAL
OR
UNBAL
LINE IN 3
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC4
BAL
OR
UNBAL
LINE IN 4
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC5
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC6
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
1
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
2
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
3
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
4
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
5
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
6
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
7–8
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
9–10
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
11–12
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
U
+15
U
+15
AUX
1
MON/
EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15
-15
PAN
SOLO
13–14
MUTE
ALT 3–4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L
R
dB
10
5
U
5
10
20
30
40
50
60
dB
10
5
U
5
10
20
30
40
50
60
dB
10
5
U
5
10
20
30
40
50
U
+10
U
+20
U
+20
1
2
AUX 1 MASTER
PRE
POST
NORMALLED
AUX 1
SELECT
EFX TO
MONITOR
AUX
RETURNS
SOURCE
MAIN
MIX
LEFT RIGHT
CLIP+28
+10
+7
+4
+2
0
-2
-4
-7
-10
-20
-30
0dB
=
0dBu
RUDE SOLO LIGHT
ALT
3-4
TAPE
ASSIGN
TO MAIN MIX
NORMAL(AFL)
LEVEL SET(PFL)
SOLO
MODE
PHANTOM
POWER
CONTROL
ROOM
/ PHONES
MAIN MIX
1
3
4
2
Reference
SYSTEM