Yamaha CVP-210 Electronic Keyboard User Manual


  Open as PDF
of 178
 
ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
143
CVP-210/208
îÛÌ͈ËË, ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎÂÈ
* ë‡Ï˚ ÎÛ˜¯Ë ÂÁÛθڇÚ˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ Yamaha FC7, ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓÛ‰Ó‚‡ÌËÂÏ.
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï [2▲▼] - [8▲▼], ‡ Ëı ‰ÓÒÚÛÔÌÓÒÚ¸ Á‡‚ËÒËÚ ÓÚ ‰Û„Ó„Ó ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡ (Type). ç‡ÔËÏÂ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â
ÚËÔ‡ ‚˚·‡Ì SUSTAIN, ̇ ˝Í‡Ì ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚Îfl˛ÚÒfl Ô‡‡ÏÂÚ˚ «HALF PEDAL POINT», «MAIN«, «LAYER» Ë «LEFT«.
* ë‡Ï˚ ÎÛ˜¯Ë ÂÁÛθڇÚ˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ Yamaha FC7, ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓÛ‰Ó‚‡ÌËÂÏ.
VOLUME*
èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÌÓÊÌÓ ÛÔ‡‚ÎÂÌË „ÓÏÍÓÒÚ¸˛ (ÚÓθÍÓ Ô‰‡Î¸ AUX).
SUSTAIN
ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ˚ Á‚Û˜‡Ú ‰Óθ¯Â. ÖÒÎË ÓÚÔÛÒÚËÚ¸ Ô‰‡Î¸, Á‚Û˜‡ÌË ÔÓ‰ÎÂÌÌ˚ı ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂÍ‡˘‡ÂÚÒfl.
SOSTENUTO
ÖÒÎË Ì‡Ê‡Ú¸ Ë ‰Âʇڸ Ô‰‡Î¸, ‚Íβ˜‡˛˘Û˛ ˝ÚÓÚ ˝ÙÙÂÍÚ, ÔÓ‰ÎflÂÚÒfl ÚÓθÍÓ ÔÂ‚‡fl ÌÓÚ‡ (ÌÓÚ‡, ÍÓÚÓÛ˛ ‚˚ Ò˚„‡ÎË Ë ‰ÂʇÎË ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËfl
Ô‰‡ÎË). ç‡ÔËÏÂ, ˝ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ÍÓ„‰‡ ÌÓÚ˚, Ë‰Û˘Ë Ò‡ÁÛ Á‡ ÌËÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ.
SOFT
ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÌÂÏÌÓ„Ó ÛÏÂ̸¯‡ÂÚ „ÓÏÍÓÒÚ¸ Ë Ò΄͇ ËÁÏÂÌflÂÚ ÚÂÏ·. ùÚÓÚ ˝ÙÙÂÍÚ ÒΉÛÂÚ ÔËÏÂÌflÚ¸ Î˯¸ Í ÌÂÍÓÚÓ˚Ï ÚÂÏ·‡Ï – ̇ÔËÏÂ,
PIANO (ÙÓÚÂÔˇÌÓ).
GLIDE
äÓ„‰‡ ‚˚ ̇ÊËχÂÚ ̇ Ô‰‡Î¸, ‚˚ÒÓÚ‡ ÏÂÌflÂÚÒfl. äÓ„‰‡ ‚˚ ÓÚÔÛÒ͇ÂÚ Ô‰‡Î¸, ‚˚ÒÓÚ‡ ‚ÓÁ‚‡˘‡ÂÚÒfl Í ÌÓχθÌÓÈ.
PORTAMENTO
ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ (Ô·‚ÌÓ ÒÍÓθÊÂÌË Á‚Û͇ ÏÂÊ‰Û ÌÓÚ‡ÏË). ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ ÒÓÁ‰‡ÂÚÒfl ÔË Ë„ Î„‡ÚÓ (Ú.Â.
ÔÓÒÎÂ‰Û˛˘‡fl ÌÓÚ‡ Ë„‡ÂÚÒfl ‚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ¢ ÓÚÔÛ˘Â̇ Ô‰˚‰Û˘‡fl). ÇÂÏÂÌÌ˚ „‡Ìˈ˚ ÔÓÚ‡ÏÂÌÚÓ ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ ˝Í‡Ì Mixing Console
(ÒÚ. 125). ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
PITCHBEND*
ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ‚˚ÒÓÚ‡ ÌÓÚ˚ ÔÓ‚˚¯‡ÂÚÒfl ËÎË ÔÓÌËʇÂÚÒfl. èËÏÂÌËÏÓ ÚÓθÍÓ Í Ô‰‡ÎË AUX Ë Ô‡‚ÓÈ Ô‰‡ÎË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208.
MODULATION*
ÇÍβ˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl ÌÓÚ, Ò˚„‡ÌÌ˚ı ̇ Í·‚ˇÚÛÂ. ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Û‚Â΢˂‡ÂÚÒfl, ÔÓ͇ Ô‰‡Î¸ ̇ʇڇ. ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚
„ÛÔÔ˚ Natural.
DSP VARIATION
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [VARIATION]. ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
VIBROTOR ON/OFF
ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ «VibRotor« (ÒÚ. 126). íÓθÍÓ ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
HARMONY/ECHO
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [HARMONY/ECHO].
VOCAL HARMONY
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [VOCAL HARMONY].
TALK
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [TALK].
SCORE PAGE+
äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÈ ÒÚ‡Ìˈ ԇÚËÚÛ˚ (ÚÓθÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ Ì‡Á‡‰).
SCORE PAGE-
äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ ԇÚËÚÛ˚ (ÚÓθÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ ‚ÔÂ‰).
SONG START/STOP
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ SONG [START/STOP].
STYLE START/STOP
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ STYLE [START/STOP].
TAP TEMPO
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [TAP TEMPO].
SYNCHRO START
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [SYNC. START].
SYNCHRO STOP
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [SYNC. STOP].
INTRO
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [INTRO].
MAIN A
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [A].
MAIN B
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [B].
MAIN C
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [C].
MAIN D
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [D].
FILL DOWN
à„‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË Ò΂‡.
FILL SELF
ÑÓ·‡‚ÎÂÌË ‚ÒÚ‡‚ÍË.
FILL BREAK
ÑÓ·‡‚ÎÂÌË ·ÂÈ͇.
FILL UP
à„‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË ÒÔ‡‚‡.
ENDING
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [ENDING/rit.].
FADE IN/OUT
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [FADE IN/OUT].
FING/ON BASS
艇θ ÒÎÛÊËÚ ÔÂÂÍβ˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎË͇ÚÛ‡ÏË Fingered Ë On Bass (ÒÚ. 66).
BASS HOLD
èÓ͇ Ô‰‡Î¸ ̇ʇڇ, ·‡ÒÓ‚‡fl ÌÓÚ‡ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, ‰‡Ê ÂÒÎË ÒÏÂÌËÚÒfl ‡ÍÍÓ‰. ùÚ‡ ÙÛÌ͈Ëfl Ì ‡·ÓÚ‡ÂÚ, ÂÒÎË
‡ÔÔÎË͇ÚÛ‡ ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ FULL KEYBOARD.
PERCUSSION
ë ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Û‰‡ÌÓÏ ËÌÒÚÛÏÂÌÚÂ, Á‡‰‡ÌÌÓÏ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [4▲▼] - [8▲▼]. ÑÎfl ‚˚·Ó‡ ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸
Í·‚ˇÚÛÛ.
LAYER ON/OFF
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [LAYER].
LEFT ON/OFF
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [LEFT].
OTS+
Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË».
OTS-
Ç˚ÁÓ‚ Ô‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË«.
SONG, STYLE, MIC, LEFT, LAYER,
MAIN
ùÚË Ô‡‡ÏÂÚ˚ ÒÎÛÊ‡Ú ‰Îfl Û͇Á‡ÌËfl ˜‡ÒÚÂÈ, ̇ ÍÓÚÓ˚ ·Û‰ÂÚ ‚ÎËflÚ¸ Ô‰‡Î¸.
HALF PEDAL POINT*
åÓÊÌÓ Û͇Á‡Ú¸, ̇ÒÍÓθÍÓ ÒËθÌÓ ÒΉÛÂÚ Ì‡Ê‡Ú¸ ̇ Ô‡‚Û˛ Ô‰‡Î¸, ˜ÚÓ·˚ Ò‡·ÓڇΠÔÂÂÍβ˜‡ÚÂθ (ÒÚ. 62). èËÏÂÌËÏÓ ‰Îfl ÓÔ‰ÂÎÂÌÌÓ„Ó
ÚËÔ‡ Ô‰‡ÎÂÈ, ̇ÔËÏÂ, AUX (YAMAHA FC7) ËÎË Ô‡‚‡fl Ô‰‡Î¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208.
DEPTH
éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË, ÍÓ‰‡ ‚˚·‡Ì SOFT. íÓθÍÓ ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
UP/DOWN
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ÔÓ‚˚¯‡ÂÚÒfl ‚˚ÒÓÚ‡ Á‚Û͇ ËÎË ÔÓÌËʇÂÚÒfl.
RANGE
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ÏÓÊÌÓ Á‡‰‡Ú¸ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÔÓÎÛÚÓ̇ı.
ON SPEED
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇.
OFF SPEED
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇, ÍÓ„‰‡ Ô‰‡Î¸ ÓÚÔÛÒ͇ÂÚÒfl.
KIT
ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò Ëϲ˘ËÂÒfl ̇·Ó˚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı, Ë ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ̇·Ó, ÍÓÚÓ˚È
‰ÓÎÊÂÌ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl Ô‰‡ÎË.
PERCUSSION
ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò Á‚ÛÍË ‚˚·‡ÌÌÓÈ Û‰‡ÌÓÈ ÛÒÚ‡ÌÓ‚ÍË (ÒÏ ÙÛÌÍˆË˛ KIT ‚˚¯Â). í‡ÍËÏ Ó·‡ÁÓÏ,
‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Á‚ÛÍ ÓÔ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡, ÍÓÚÓ˚È ·Û‰ÂÚ ÔËÔËÒ‡Ì Ô‰‡ÎË.
 previous next