Yamaha CVP-210 Electronic Keyboard User Manual


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ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
149
CVP-210/208
Clock (ÒËÌıÓÌËÁ‡ˆËfl), Transmit Clock (ÔÂ‰‡˜‡ Ò˄̇ÎÓ‚ ÒËÌıÓÌËÁ‡ˆËË), Receive Transpose
(Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‚̯ÌÂ„Ó Ò˄̇·) Ë Start/Stop (Á‡ÔÛÒÍ/ÓÒÚ‡Ìӂ͇)
■ Clock
èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÒÔÓÒÓ· ÒËÌıÓÌËÁ‡ˆËË MIDI-ÛÒÚÓÈÒÚ‚. èˇÌËÌÓ CVP-210/208 ÏÓÊÌÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ ÔÓ ‚ÒÚÓÂÌÌ˚Ï ˜‡Ò‡Ï
ËÎË ÔÓ ÒË„Ì‡Î‡Ï ÒËÌıÓÌËÁ‡ˆËË, ÔÓÒÚÛÔ‡˛˘ËÏ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡. ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ËÒÔÓθÁÛÂÚÒfl
ÓÚ‰ÂθÌÓ, ÒΉÛÂÚ ‚˚·‡Ú¸ Á̇˜ÂÌË «INTERNAL». ÖÒÎË Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CVP-210/208 ÔÓ‰Íβ˜ÂÌ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ,
ÍÓÏÔ¸˛ÚÂ Ò ËÌÚÂÙÂÈÒÓÏ MIDI ËÎË Í‡ÍÓÂ-ÎË·Ó ‰Û„Ó MIDI-ÛÒÚÓÈÒÚ‚Ó, Ò ÍÓÚÓ˚Ï ÌÂÓ·ıÓ‰ËÏÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ CVP-210/208,
Û͇ÊËÚ Á̇˜ÂÌË «EXTERNAL». Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒΉÛÂÚ Û·Â‰ËÚ¸Òfl ‚ ÚÓÏ, ˜ÚÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ÔÓ‰Íβ˜ÂÌÓ Í ˆËÙÓ‚ÓÏÛ
ÔˇÌËÌÓ CVP-210/208 ˜ÂÂÁ ÔÓÚ MIDI IN Ë ˜ÚÓ ÓÌÓ ÔÂ‰‡ÂÚ Ò˄̇ΠÒËÌıÓÌËÁ‡ˆËË.
■ Transmit Clock
ùÚÓÚ Ô‡‡ÏÂÚ ÛÔ‡‚ÎflÂÚ ‚Íβ˜ÂÌËÂÏ Ë ‚˚Íβ˜ÂÌËÂÏ ÂÊËχ ÔÂ‰‡˜Ë Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË. ÖÒÎË Á‡‰‡Ú¸ Á̇˜ÂÌËÂ
«OFF», Ò˄̇Î˚ ÒËÌıÓÌËÁ‡ˆËË ËÎË ÍÓχ̉˚ ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl (START/STOP data) Ì ÔÂ‰‡˛ÚÒfl.
■ Receive Transpose
ÖÒÎË Ô‡‡ÏÂÚÛ ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «OFF», ‰‡ÌÌ˚Â, ÔÓÒÚÛÔ‡˛˘Ë ̇ ‚ıÓ‰ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, ÌÂ
Ú‡ÌÒÔÓÌËÛ˛ÚÒfl. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚̯ÌËÈ Ò˄̇ΠÚ‡ÌÒÔÓÌËÛÂÚÒfl Òӄ·ÒÌÓ ÚÂÍÛ˘ËÏ Á̇˜ÂÌËflÏ Ô‡‡ÏÂÚÓ‚
Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl CVP-210/208 (ÒÚ. 144).
■ Start/Stop
ùÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ‚ÎËfl˛Ú ÎË ‚ıÓ‰fl˘Ë ÍÓχ̉˚ «FA» Ë «FC» ̇
‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ËÎË ÒÚËÎfl.
Message Switch
SYS/EX. Tx (TRANSMIT).................... ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ÔÂ‰‡˜Ë ËÒÍβ˜ËÚÂθÌ˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ.
SYS/EX. Rx (RECEIVE)...................... ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ÔËÂχ ËÒÍβ˜ËÚÂθÌ˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ Ò ‚̯̄Ó
ÛÒÚÓÈÒÚ‚‡.
CHORD SYS/EX. Tx (TRANSMIT) ..... ÇÍβ˜ÂÌË /‚˚Íβ˜ÂÌË ÂÊËχ ÔÂ‰‡˜Ë ËÒÍβ˜ËÚÂθÌ˚ı ÒÓÓ·˘ÂÌËÈ ÔÓ ‡ÍÍÓ‰‡Ï (‰‡ÌÌ˚Â
Ó ÚËÔ ‡ÍÍÓ‰‡ Ë ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ).
CHORD SYS/EX. Rx (RECEIVE)........ ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ÔËÂχ ËÒÍβ˜ËÚÂθÌ˚ı ÒÓÓ·˘ÂÌËÈ ÔÓ ‡ÍÍÓ‰‡Ï Ò ‚̯̄Ó
ÛÒÚÓÈÒÚ‚‡.
èÂ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ – Transmit
íËÔ˚ ‰‡ÌÌ˚ı ̇ ˝Í‡Ì MIDI TRANSMIT/RECEIVE
* Ç˚‚Ó‰ËÚÒfl ÚÓθÍÓ Ì‡ ˝Í‡Ì RECEIVE (ÒÏ. ÒÚ. 150).
Note ùÚË ÒÓÓ·˘ÂÌËfl ÒÓÁ‰‡˛ÚÒfl ‚Ó ‚ÂÏfl Ë„˚ ̇ Í·‚ˇÚÛÂ. ä‡Ê‰Ó ÒÓÓ·˘ÂÌË ÒÓ‰ÂÊËÚ ÌÓÏÂ ÌÓÚ˚, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
̇ʇÚÓÈ Í·‚˯Â, ‡ Ú‡ÍÊ ÒÍÓÓÒÚ¸ (ÒËÎÛ Û‰‡‡ ÔÓ Í·‚˯Â) ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡Í ÒËθÌÓ Ì‡ÊËχ˛ÚÒfl Í·‚˯Ë.
Control Change (CC) ùÚÓÚ ÚËÔ ‰‡ÌÌ˚ı ‚Íβ˜‡ÂÚ ‰‡ÌÌ˚Â Ó ÔÓÎÓÊÂÌËË Ô‰‡ÎË Ë ‰Û„Ë ‰‡ÌÌ˚ ÍÓÌÚÓÎÎÂÓ‚.
Program Change (PC) ëÎÛÊËÚ ‰Îfl ÔÂ‰‡˜Ë ÍÓχ̉ ÒÏÂÌ˚ ÌÓÏÂ‡ ÚÂÏ·‡ ËÎË «Ô˝Ú˜‡».
Pitch Bend (PB) ëÏ. ÒÚ. 143.
After Touch (AT)* ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ‡„ËÓ‚‡Ú¸ ̇ ‚Â΢ËÌÛ ÛÒËÎËfl, ÔËÎÓÊÂÌÌÓ„Ó Í Í·‚˯‡Ï. ê‡͈Ëfl
‚˚‡Ê‡ÂÚÒfl ‚ Ó·‡·ÓÚÍ Á‚Û͇ ‡Á΢Ì˚ÏË ÒÔÓÒÓ·‡ÏË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. ùÚÓ Á‡ÏÂÚÌÓ ÔÓ‚˚¯‡ÂÚ
‚˚‡ÁËÚÂθÌÓÒÚ¸ Ë ÔÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ Í ÚÂıÌËÍ ËÒÔÓÎÌÂÌËfl.
FA, FC
MIDI-cÓÓ·˘ÂÌËfl (ÍÓχ̉˚) ‰Îfl Á‡ÔÛÒ͇/
ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË ËÎË ÒÚËÎfl. «FA» –
ÍÓχ̉‡ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, «FC»
– ÍÓχ̉‡ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ.
èêàåÖóÄçàÖ
A
E
D
C
B
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ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸
͇̇Î, ‰Îfl ÍÓÚÓÓ„Ó Ú·ÛÂÚÒfl
ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚ ÔÂ‰‡˜Ë.
ùÚË ÍÌÓÔÍË ÔÓÏÓ„‡˛Ú ̇Á̇˜ËÚ¸
˜‡ÒÚ¸ ‚˚·‡ÌÌÓÏÛ Í‡Ì‡ÎÛ.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸
ÔÂ‰‡˜Û ÓÔ‰ÂÎÂÌÌ˚ı
ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ.
èÓ‰Ó·ÌÓÒÚË ÒÏ. ÌËÊÂ.
ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË
͇̇ÎÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
«Î‡ÏÔӘ͇» ̇ ˝Í‡ÌÂ,
ÍÓÚÓ‡fl ÏË„‡ÂÚ ÔË
ÔÂ‰‡˜Â MIDI-ÒÓÓ·˘ÂÌËÈ
ÔÓ ˝ÚÓÏÛ Í‡Ì‡ÎÛ.
ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ Û͇Á‡Ú¸ Ô‡ÚËË,
ÍÓÚÓ˚ ·Û‰ÛÚ ÔÂ‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â,
Ë MIDI-͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˝ÚË ‰‡ÌÌ˚Â
·Û‰ÛÚ ÔÂ‰‡‚‡Ú¸Òfl.
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