Yamaha CVP-210 Electronic Keyboard User Manual


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ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
CVP-210/208
150
èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ – Receive
ó‡ÒÚË ‰Îfl ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ
ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ – Root
ëÓÓ·˘ÂÌËfl ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡ ‚Íβ˜Â̇/‚˚Íβ˜Â̇), ÔËÌËχÂÏ˚ ͇̇·ÏË, ‰Îfl ÍÓÚÓ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON»,
‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÓÒÌÓ‚Ì˚ ÚÓ̇, Ò˚„‡ÌÌ˚ ‚ ‡Á‰ÂΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÒÌÓ‚Ì˚ ÚÓ̇ ‡ÒÔÓÁ̇˛ÚÒfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁˈËË
ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ÓÚ ÚÓ„Ó, ‚Íβ˜ÂÌ ÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓ‰Ó‚ – Chord Detect
ëÓÓ·˘ÂÌËfl ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡ ‚Íβ˜Â̇/‚˚Íβ˜Â̇), ÔËÌËχÂÏ˚ ͇̇·ÏË, ‰Îfl ÍÓÚÓ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON»,
‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ‡ÍÍÓ‰Ó‚, ‚ÁflÚ˚ı ‚ ‡Á‰ÂΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÔ‰ÂÎÂÌË ‡ÍÍÓ‰Ó‚ Á‡‚ËÒËÚ ÓÚ Á‡‰‡ÌÌÓÈ ‡ÔÔÎË͇ÚÛ˚.
éÒÌÓ‚Ì˚ ÚÓ̇ ‡ÒÔÓÁ̇˛ÚÒfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁˈËË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ÓÚ ÚÓ„Ó, ‚Íβ˜ÂÌ ÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ë
ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÒÚ‡Ìˈ˚ ÏÓÊÌÓ ‚˚ÔÓÎÌflÚ¸ Ô‡ÍÚ˘ÂÒÍË Ú Ê ÓÔÂ‡ˆËË, ˜ÚÓ ·˚ÎË ÓÔËÒ‡Ì˚ ‚ ‡Á‰ÂÎÂ, ÔÓÒ‚fl˘ÂÌÌÓÏ ÒÚ‡Ìˈ ROOT.
OFF èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ Ì ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl.
SONG é·˚˜ÌÓ ˜‡ÒÚ¸, ÔËÌËχ˛˘‡fl MIDI-ÒÓÓ·˘ÂÌËfl, ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ˜‡ÒÚË/ÚÂÏ·Û, ËÒÔÓθÁÛÂÏÓÏÛ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË. àÌ˚ÏË ÒÎÓ‚‡ÏË,
͇̇Î˚ Ò 1 ÔÓ 16 ÔË‚flÁ‡Ì˚ Í Ó‰ÌÓËÏÂÌÌ˚Ï Í‡Ì‡Î‡Ï ÔÂÒÌË.
MAIN ìÔ‡‚ÎÂÌË ˜‡ÒÚ¸˛ MAIN ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
LAYER ìÔ‡‚ÎÂÌË ˜‡ÒÚ¸˛ LAYER ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
LEFT ìÔ‡‚ÎÂÌË ˜‡ÒÚ¸˛ LEFT ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
KEYBOARD ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÔËÌËχÂÚ MIDI-ÒÓÓ·˘ÂÌËfl, ÓÚÌÓÒfl˘ËÂÒfl Í ÌÓÚ‡Ï, Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ Ëı Ú‡Í, Í‡Í ÂÒÎË ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
·˚ÎË Ò˚„‡Ì˚ ̇ Í·‚ˇÚÛÂ.
ACMP RHYTHM1-2 çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1 Ë RHYTHM 2.
ACMP BASS çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS.
ACMP CHORD1-2 çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD 1 Ë CHORD 2.
ACMP PAD çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD.
ACMP PHRASE1-2 çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE 1 Ë PHRASE 2.
EXTRA PART1-5 ëÛ˘ÂÒÚ‚ÛÂÚ ÔflÚ¸ ˜‡ÒÚÂÈ, ÒÔˆˇθÌÓ Ô‰̇Á̇˜ÂÌÌ˚ı ‰Îfl ÔËÂχ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl MIDI-ÒÓÓ·˘ÂÌËÈ. ä‡Í Ô‡‚ËÎÓ, Ò‡ÏËÏ ˆËÙÓ‚˚Ï
ÔˇÌËÌÓ ˝ÚË ˜‡ÒÚË Ì ËÒÔÓθÁÛ˛ÚÒfl. çÓ ÂÒÎË ÓÌË ‚ÒÂ-Ú‡ÍË Á‡‰ÂÈÒÚ‚Ó‚‡Ì˚, ˆËÙÓ‚Ó ÔˇÌËÌÓ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ͇˜ÂÒÚ‚Â 32-
͇̇θÌÓ„Ó ÏÛθÚËÚÂÏ·‡Î¸ÌÓ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡.
A
E
D
C
B
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ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ͇̇Î,
‰Îfl ÍÓÚÓÓ„Ó Ú·ÛÂÚÒfl ËÁÏÂÌËÚ¸
Ô‡‡ÏÂÚ˚ ÔËÂχ.
ùÚË ÍÌÓÔÍË ÓÔ‰ÂÎfl˛Ú ˜‡ÒÚ¸,
̇Á̇˜ÂÌÌÛ˛ ‚˚·‡ÌÌÓÏÛ Í‡Ì‡ÎÛ.
èÓ‰Ó·ÌÓÒÚË ÒÏ. ÌËÊÂ.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ÔËÂÏ
ÓÔ‰ÂÎÂÌÌ˚ı ÚËÔÓ‚
ÒÓÓ·˘ÂÌËÈ. èÓ‰Ó·ÌÓÒÚË Ó
ÚËÔ‡ı ‰‡ÌÌ˚ı ÒÏ. ̇ ÒÚ. 149.
ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË Í‡Ì‡ÎÓ‚
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ «Î‡ÏÔӘ͇» ̇
˝Í‡ÌÂ, ÍÓÚÓ‡fl ÏË„‡ÂÚ ÔË
ÔÓÎÛ˜ÂÌËË MIDI-ÒÓÓ·˘ÂÌËÈ.
èÓÚ˚ MIDI IN/OUT Ë ÔÓÚ 1
‡Á˙Âχ USB ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
Í‡Ì‡Î‡Ï 1 – 16. èÓÚ 2 ‡Á˙Âχ
USB ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡Î‡Ï
17 – 32.
ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ Û͇Á‡Ú¸
˜‡ÒÚË, ÔËÌËχ˛˘Ë MIDI-ÒÓÓ·˘ÂÌËfl.
äÓÏ ÚÓ„Ó, Á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ ͇̇Î
‰Îfl ÔËÂχ Ú‡ÍËı ÒÓÓ·˘ÂÌËÈ.
èêàåÖóÄçàÖ
A
E
D
C
B
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äÌÓÔÍË ‚˚·Ó‡ „ÛÔÔ˚ ËÁ ‚ÓÒ¸ÏË
͇̇ÎÓ‚: 1 – 8, 9 – 16, 17 – 24 Ë 25 – 32
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ (ÔÂÂÍβ˜ÂÌË ÏÂÊ‰Û Á̇˜ÂÌËflÏË ON Ë OFF). Ç˚Íβ˜ÂÌË ‚ÒÂı ͇̇ÎÓ‚ (OFF).
èÓÚ˚ MIDI IN/OUT Ë ÔÓÚ 1
‡Á˙Âχ USB ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
Í‡Ì‡Î‡Ï 1 – 16. èÓÚ 2 ‡Á˙Âχ
USB ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡Î‡Ï
17 – 32.
èêàåÖóÄçàÖ
ÖÒÎË Á̇˜ÂÌË «ON»
Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‡‰‡ÌÓ ‰Îfl
ÌÂÒÍÓθÍËı ͇̇ÎÓ‚, ÔÓËÒÍ
ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ ‚˚ÔÓÎÌflÂÚÒfl ‚
Òϯ‡ÌÌ˚ı MIDI-‰‡ÌÌ˚ı,
ÔÓÎÛ˜ÂÌÌ˚ı ÔÓ ˝ÚËÏ Í‡Ì‡Î‡Ï.
èêàåÖóÄçàÖ
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