Yamaha CVP-210 Electronic Keyboard User Manual


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ëÚËÎË
71
CVP-210/208
ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting (̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ӷ΄˜‡ÂÚ ÔÓ‰·Ó ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı
‰Îfl ÒÚËÎfl ÚÂÏ·Ó‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ ˜ÂÚ˚Âı ‚‡ˇÌÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·Ë‡Ú¸
·ÛÍ‚‡Î¸ÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË».
ç‡ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl (ÙÛÌ͈Ëfl ONE TOUCH SETTING)
POWER
METRONOME
MASTER VOLUME
STYLE
ACMP AUTO FILL IN
OTS LINK
BREAK INTRO MAIN
START STOP
ON
MIN MAX
OFF
ENDING rit.
TAP TEMPO
REW REPEATTOP FFREC
MIC.
SIGNAL OVER
FADE IN OUT
TAP TEMPO
DEMO
HELP
FUNCTION
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
BALANCE
CHANNEL
ON OFF
TRANSPOSETEMPO
SYNC.STOP START STOP
PART
PART
A
E
D
C
B
F
J
I
DIRECT ACCESS
12345678
EXIT
START STOP
SONG
EXTRA TRACKS TRACK 2 TRACK 1
VOCAL HARMONY TALK EFFECT VH TYPE SELECT MIC. SETTING
STYLE L
R
SYNC.START
RESETRESET
GUIDE
MENU
BACK NEXT
VOICE PART
PIANO
ON OFF
HARMONY ECHO LEFT HOLDMONO
DIGITAL
STUDIO
H
G
LAYER
PIANO & HARPSI. E. PIANO PERCUSSION GUITAR BASS ORGAN FLUTESORGAN & ACCORDION
BRASS WOODWIND CHOIR & PAD SYNTH. XG USERSTRINGS
LEFT
DATA
ENTRY
FREEZE MEMORY
1
1432
34 75862
ENTER
VOICE EFFECT
VOICE
MUSIC FINDER
ONE TOCTH SETTING
REVERB DSP VARIATION
ONE TOUCH SETTING
1234
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit.
ABCD
SYNC.STOP SYNC.START START / STOP
ONE TOUCH SETTING
1234
1
Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 63).
2
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING ([1] - [4]).
ONE TOUCH SETTING
1234
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ
͇҇ÌË» Ì ‚˚·‡Ì‡.
ë‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ – ‰‡ÌÌ˚ı ÔÓ
̇ÒÚÓÈÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ÌÂÚ.
äÌÓÔ͇ ̇ÒÚÓÈÍË Ì ÙÛÌ͈ËÓÌËÛÂÚ.
ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ‚˚·‡Ì‡.
3
ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ,
Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ
‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚
4
éÒÚ‡ÌÓ‚ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
5
èÓÔÓ·ÛÈÚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ͇ÍËÂ-ÌË·Û‰¸ ‰Û„Ë ̇ÒÚÓÈÍË. Ç˚ ÏÓÊÂÚ ڇÍÊÂ
ÒÓÁ‰‡Ú¸ ̇ÒÚÓÈÍÛ Ò‡ÏÓÒÚÓflÚÂθÌÓ (ÒÚ. 72).
ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ï„ÌÓ‚ÂÌÌÓ„Ó ËÁÏÂÌÂÌËfl ˆÂÎÓ„Ó fl‰‡ ÓÚÌÓÒfl˘ËıÒfl Í
ÒÚËβ Ô‡‡ÏÂÚÓ‚ (̇ÔËÏÂ, ÚÂÏ·‡, ˝ÙÙÂÍÚÓ‚ Ë Ú.‰.) èË ˝ÚÓÏ Á̇˜ÂÌËfl
Ô‡‡ÏÂÚÓ‚ ·ÂÛÚÒfl ËÁ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, ÍÛ‰‡ ÓÌË ·˚ÎË ‡Ì Á‡ÌÂÒÂÌ˚.
äÓ„‰‡ ÒÚËθ Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl, ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÒËÌıÓÌÌÓ„Ó
Á‡ÔÛÒ͇ ‚Íβ˜‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. á‡ÔÛÒÍ ‚Íβ˜ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ô˂‰ÂÌ˚ ‚
Ò·ÓÌËÍ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡‡ÏÂÚÓ‚).
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