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128
Voice Mode
■ Output
Sets the pickup output level.
❏ Settings: –48~0~+48
■ Output KFlw (Output KeyFollow)
Sets the KeyFollow for the Output. The Output
KeyFollow function controls the pickup output level
in accordance with the notes played on the keyboard.
When set to a positive value, the higher the note
played on the keyboard, the greater the change in the
output level becomes. When a negative value is set,
the lower the note played, the greater the change in
the output level becomes.
❏ Settings: –32~0~+32
■ HPF (High Pass Filter)
Sets the cutoff frequency which cuts the lower range
of the pickup output signals.
❏ Settings: 0~127
■ HPF K.Flw (High Pass Filter KeyFollow)
Sets the KeyFollow for the High Pass Filter cutoff
frequency. The High Pass Filter KeyFollow function
controls the change in the cutoff frequency by the
notes played on the keyboard. When set to a positive
value, the higher the note played on the keyboard,
the higher the cutoff frequency becomes. When a
negative value is set, the lower the note played, the
higher the cutoff frequency becomes. When set to
“+32,” the KeyFollow functions at 100% and the
cutoff frequency changes in proportion to the pitch.
❏ Settings: –32~0~+64
■ Freq (Frequency)
Sets the low pass filter cutoff frequency which
simulates the inductance (coil’s electric capacity)
characteristics of an electromagnetic pickup. (This
filter cutoff frequency has no relation to that of the
HPF above.)
❏ Settings: 0~127
■ Resonance
Sets the resonance quality of an electromagnetic
pickup. This setting determines the amount of
resonance boost near the cutoff frequency set in
Freq.
❏ Settings: 0~31
■ FilterBypass
Sets the amount (percentage) bypassing the Freq
filter above.
❏ Settings: 0~127 (=100%)
■ Pan
The same as the one in the EP Pickup. See page 126
for information.
03: Water
The FDSP unit uses a unique algorithm to change the
input signal to the sound of water, an application of the
Virtual Analog synthesis. The feeling of running water
is created by the Sample & Hold LFO filter modulation
that is applied to the input signal. Also passing the
signal through the resonating strings corresponding to
each pitch gives the feeling of various pitches.
The underlined items in the diagram are available as the
Destination parameters for the FDSP Controller set (page
141).
■ Pitch Coarse
Sets the basic pitch of the input signal in semitones.
A setting of “0” produces a pitch of C3 = 261.63Hz.
❏ Settings: –64~0 (C3)~+63
■ Pitch Fine
Finely adjusts the basic pitch of resonating strings.
❏ Settings: –50~0~+50
■ KeyFollow
Sets the KeyFollow for the pitch of resonating
strings. This KeyFollow function controls the change
in the pitch of the resonating strings in accordance
with the notes played on the keyboard. When set to
a positive value, the higher the note played on the
keyboard, the higher the pitch of the resonating
strings becomes. When a negative value is set, the
lower the note played, the higher the pitch of the
resonating strings becomes. When set to “+32,” the
KeyFollow functions at 100% and the pitch of the
resonating strings moves in proportion to the pitch
played on the keyboard. When set to a value of “0”
the pitch of the resonating strings is fixed.
❏ Settings: –32~0~+64
Noise
LFO
S/H
LPF Cutoff
LPF
Resonance
Input
Output
BPF
Delay
note dependent
FB
Smoothness
Wet
Dry
High dump
Speed
Depth
HPF
HighpassEG
Release
Pitch coarse/fine
Voice/E.qx 5/21/98 11:31 AM Page 128