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OMNIMOUSE
ongratulations on your purchase of
the Blue OmniMouse, a modern
classic made the old-fashioned way
— without compromise. Our stun-
ning finish and unique rotating
capsule make OmniMouse one of
the most interesting and beautiful
microphones you’ll ever lay eyes
on. And beneath the handsome
exterior, you’ll find that the OmniMouse is a precision-
crafted recording tool, combining the low noise and superb
detail of our Class-A discrete handmade electronics with
the bold, larger-than-life sound of our handmade B4 true
pressure omni capsule. In order to familiarize yourself with
this microphone’s specialized and unique features, please
take the time to read this manual, and be sure to try the
suggested recording tips.
The OmniMouse was designed to
provide the commanding, larger-
than-life sound associated with the
most sought-after (and most
expensive) vintage orchestration
microphones. With its luxurious
high-frequency response, focused
mid-range, and outstanding bass
response, the OmniMouse captures the full range of sym-
phonic and choral recordings naturally and musically with
depth and clarity. The OmniMouse also excels at ambient
recording, capturing room tone with the most intimate
detail — whether for rock drums, guitars or even vocals —
any application where some natural space in the recording
is desired.
C
LIKE ALL BLUE MICROPHONES, THE OMNIMOUSE HAS BEEN DESIGNED WITH A SPECIFIC SONIC SIGNATURE THAT IS DISTINCT FROM OTHER MICROPHONES. BUT THAT’S TRUE OF ALL OUR MICROPHONES, FROM OUR BUDGET-MINDED BALL SERIES,
SO, A LOT OF PEOPLE COME TO US AND ASK, “WHY DO YOUR MICS HAVE SUCH WEIRD NAMES?” WELL,