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12000 Portland Avenue South, Burnsville, MN 55337
Phone: 952/884-4051, Fax: 952/884-0043
www.electrovoice.com
© Telex Communications, Inc. 9/2003
Part Number 38109-826 Rev. B
Polar Response:
Frequency Response:
(5 dB per division)
1000 Hz
U.S.A. and Canada only. For customer orders, contact Customer Service at:
800/392-3497 Fax: 800/955-6831
Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:
+ 49 9421-706 0 Fax: + 49 9421-706 265
Other International locations. For customer orders, contact Customer Service at:
+ 1 952 884-4051 Fax: + 1 952 736-4212
For warranty repair or service information, contact the Service Repair department at:
800/553-5992 or 402/467-5321
For technical assistance, contact Technical Support at:
800/392-3497 or 952/736-4656
Specifications subject to change without notice.
N/D478 Part Number: 16043312
Instrumental Microphone Standard Placement & Use Guidelines
1. Always point the microphone at the desired source of sound, and away from any unwanted sources.
2.The microphone should be located close to the sound source to minimize interference from other potential sound sources.
3. Use the 3-to-1 rule when using multiple microphones. Place each microphone three times farther from other microphones as from the
desired sound source.
4. Minimize over-handling of the microphone to reduce unwanted mechanical noise.
5.Working close to the microphone will increase the bass tone and also provide increased gain-before-feedback.
Microphone Use and Placement
Please note that micing techniques are a matter of personal preference. These are merely guidelines to assist in the placement of the
microphone to gain optimal performance.
Usage Optimal Placement
Electric Guitar and Bass Guitar Amplifier Place microphone approximately 1-2" from and at a 90°degree angle to the speaker cone.
To reduce boominess, move the microphone off axis to the cone from 90° to 45°, or move
mic from center of cone to either edge.
Tom-Toms On double headed Toms place mic over the top of drum 1-3" and at a 45° angle to the
drum surface and 1-2" in from the drum edge. On single headed Toms use above method
or place mic inside Tom from underneath at a 90° angle from the center of head, 3-5",
away.
Snare Drum Place mic 1-3" above the heads, 1-2" in from the rim. Aim each mic at the top heads
angled down about 45°. If the drum rings, tape deadening material to the head or use
damping rings. For more “snare” sound place a 2nd mic underneath aimed up at the
bottom of head.
Cymbals Place microphone one to two feet above the top of cymbals.
High-Hat Place 5 inches above outside edge at a 45° down angle.
Brass 6-24" away, and on axis with the bell of the instrument.
Acoustic Guitar Place mic 6-12" from where finger board joins the body.