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REV concert handheld
• A rugged, fully machined aluminum handle about the size and
shape of a wired microphone encourages proper microphone
t
echnique for better performances.
• Optimized analog audio path developed to provide the truest
representation of a wired microphone sound possible in a
wireless system.
• Interchangeable microphone RC2 head allows a choice of
elements to fit the vocalist’s style and environment.
Microphone choices include:
— N/DYM® 767a, N/DYM 967, RE-410, RE-510
• Backlit LCD display controlled by three buttons mounted out of
harm’s way inside the battery compartment.
• RF transmit power and audio gain are controlled from the LCD
screen controls, no tools required.
• Battery level gauge always visible on the LCD display.
• Two AA batteries power the REV-H for over ten hours of
continuous use.
• 5 or 50mW selectable RF output power so you can optimize
range or maximize the number of systems on stage.
bodypack transmitter
• Cast magnesium case is extremely light and durable with a cell
phone style beltclip or flat metal clip for comfortable wearing options.
• Backlit LCD display and three control buttons mounted inside the
battery housing make programming a channel or frequency is
quick and easy.
• Software controlled Guitar mode switches in a 20dB pad, moves
the low end response down to 30Hz and c
hanges the audio
circuit to optimized guitar mode.
•
One on/off switch that also acts as a mute, great for pauses in
presentations and worship services.
•
On/off button can be dis
abled to prevent accident
al turnoffs
during a performance.
•
5 or 5
0mW select
able R
F output power so you can optimize
range or maximize the number of systems on stage.
•
Unique Smart-B
attery circuit means there is no way to put the
9V battery in wrong.
•
B
attery level gauge always visible on the L
CD display. Low
battery LED will light when the battery needs a replacement.
•
R
F transmit power and audio gain are controlled from the L
CD
screen controls, no tools required.
“
“
“I’ve been around the world a dozen times with my EV wireless systems,
without incidence of failure. It sounds great. With the advent of the REV, I
am even more excited because they’re improved on wireless that already
stands above the rest of the competitors!”
— Bruce Reiter, FOH engineer
[Static-X, Megadeth, Hatebreed]
"Only EV wireless can handle the blood, guts and abuse of a GWAR
show. I defy any other touring pro to put his wireless mics through such
carnage and still have them work perfectly. We've been touring with the
same EV wireless system for years now, and it's still going strong. And
next time we hit the road, it will be with the new REV. For a night-after-
night reliability and performance there's no other brand I trust more. I'll
show you a pile of broken equipment from other manufacturers. They just
can't hang. EV can."
— Jeremy Smith, FOH engineer
[GWAR]
“Night after night I rely on the RE-1 to perform. Now, after hearing and
using the REV, I have to say that I’m floored by how great it sounds. All the
best of the RE-1 and then some. Right on, guys!”
— Sonny Taylor, FOH engineer
[Neal McCoy]
“George Clinton abuses wireless. Our tours are notoriously hard on equip-
ment. EV wireless is rugged and roadworthy and always sounds great. It’s
made my job that much easier! “
— Al Davis, FOH engineer
[Al Green/Parliament/George Clinton]
“My EV wireless captures the nuances of my bass tone like no other. It
rocks! And I don’t trust just any other wireless – I’m playing with the
Prince of Darkness!”
— Blasko, bassist
[Ozzy Osbourne]
"I recently had the chance to test run
the EV R
EV wireless on tour with
Gretchen Wilson. What can I say? It
sounds fantastic and is perfect for
highly critical, professional applications
like ours."
— David Haskell,
FOH engineer
[Gretchen Wilson]