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Sweet Notes Early Fall 1998 Page 10
SWEETWATER PROTECTS YOU WITH THE INDUSTRY’S FIRST AND BEST 100% BEST VALUE GUARANTEE!
— Continued from Page 4
ROLAND. We took a vote and Roland won the award
for coolest new product at the show. The JP-8080 ($1595)
looks like a JP-8000 in a six-space rack unit, but has 10
voices with a monophonic mode and has a multieffects unit
with 384 patches. But here's where it gets interesting: It
also has audio inputs that can be routed through the filter
sections or used as an oscillator. Using an external audio
source as an oscillator brings a whole new palette of sounds.
Add MIDI synced LFOs and filters that can be controlled by
an audio input and one can quickly build some sounds that
are just begging to be sampled and looped. The VS-880 EX
($2195) will replace the VS-880. It has a new backlit dis-
play and the effects board is now built-in. Plus they've made
it able to record on all eight tracks simultaneously and
it is now all 20-bit via six balanced inputs. There are
now two digital I/O ports (both S/PDIF) and it will be
capable of archiving to CD-R.
For the DJ market Roland added the DJ-2000
Mixer ($1495). It can do all the basics, but also adds a
three-band “Isolator” which can be used to radically
boost or cut low, mid or high frequencies. Making Iso-
lator control easy, the DJ-2000 incorporates an inno-
vative Grab switch which allows DJ's to instantly trig-
ger Isolator EQ settings on the fly for drastic sonic
manipulation. The new SRJV80-14 Asia board, and
SRJV80-13 Vocal Collection board are both phenom-
enal. The most impressive demo of the show was Scott
Wilke's fluid performance of five-way velocity switched
jazz scat vocals from the Vocal Collection card.
SHURE. Their new UT and UC series VHF diversity
wireless microphone systems were the most signifi-
cant offering. The UT series are designed specifically
as a low cost solution while the UC series have select-
able frequencies and are still sensibly priced. Also
showing was the new UA888 networking interface which
can control up to 32 of the U4S and U4DUHF wireless sys-
tems on a Windows PC.
SONY enters the DJ market? They showed the DRE-1
(as in Dr. Dre?) which should be shipping in September for
around $1200. It's a Mini Disc-based platform with sam-
pling trigger banks and all sorts of instant looping and
scratching features. Speed and pitch can be adjusted inde-
pendent of one another or together via a very simple dual
slider mechanism. The neat thing is that, with their ATRAC
compression technology, it's easy to record any performance
you do right back to a Mini Disc and have it ready to play
instantly — all in real time. The DVS-V55 ($550) is based
on the engine of its big brother, the DPS-V77. It retains the
great sound quality of the V77 without the cost, but the im-
portant things are there: 20-bit converters, four inputs and
outputs, tap function, easy dial up of 45 algorithms, 200
factory and 200 user presets.
SOUNDTECH has the most fantastic cable checker I've
seen (I'm kind of into nerdy stuff like this): It's called the
MCT-7 ($149) and checks MIDI, video, 1/4 inch, 1/8 inch,
RCA, XLR, and some more I can't think of. It checks for
polarity and any pins shorted together or to ground. They
also have a handy polarity checking device called, well, Po-
larity Checker. It costs over $200, but is an extremely valu-
able tool in system setup.
SPIRIT. The big splash was the 328 digital mixer
($4995), a 32-channel 8-bus mixer with 16 mic inputs that
comes with ADAT Optical and TASCAM TDIF I/O already built
in. Their unique feature is the "E-Strip," which allows the
user to view an entire channel's controls horizontally across
the board. It virtually eliminates digging through menus for
parameters. The FX-16 is a 16 x 4 rack-mountable board
with 4 aux sends and three band EQ (mid-sweep) per chan-
nel. Really cool: A Lexicon effects processor that's built-in.
STEINBERG was in the Thinkware booth showing the
new 24-bit version of Cubase VST and Wavelab 2.0 ($499).
They also have announced that they will license and take
over development of Apogee's Master Tools UV22 plug-in.
An obvious first development will be VST compatibility.
SWEETWATER. We introduced our new SWx, a fully
loaded and customized version of the K2500 (see Page 9).
We also showed a selection of Oram outboard gear to a ton
of enthusiastic studio engineers. The MWS and Hi Def EQ
were huge hits with everyone who stopped by.
TANNOY. We found their compact new Reveal ($399)
monitors in use all over the show, sounding great. The dis-
tinctive red color really makes them stand out and the shape
is both pleasing to the eye and nice to the audio with very
rounded off front edges.
TASCAM was out in force with the DA-98 and TM-D8000
digital mixer. The buzz, however, was centered on their TM-
D1000 compact digital mixer ($1199) and the new DA-45
24-bit DAT recorder ($1999), the world’s first 24-bit SAT.
The TM-D1000 sports an impressive array of cool fea-
tures, including backlit LCD display, channel switches
that light up, built in TDIF, S/PDIF and AES digital
connections. There is also going to be a FX-1000 ef-
fects board available that will add four channels of
dynamics processing and a pair of multieffects pro-
cessors. And finally, a long overdue product, the
T3000 3-well duplicating cassette deck ($1499). It can
act as a stand alone duplication system or work in a
chain with nine other machines for a total of 30 po-
tential slave decks.
WASHBURN. Their Buzz Feiten Tuning System
is being incorporated in more and more of their gui-
tars. It’s both a manufacturing technology and tuning
method that allows guitars and basses to be much
more consistently in tune across the range of the neck.
Models include the XB500TR 5-string bass ($899) and
the XB925 ($1699) a 5-string that has two Bartolini
pickups and is made from exotic woods. There's a
Paul Stanley guitar model, the MR450 Sammy Hagar
model, and the P4, which has a mahogany body and
a maple top and employs sound channels inside for in-
creased string clarity on distorted sounds.
YAMAHA. This show's smash success for them was
the DJX ($459), a really powerful workstation keyboard
geared towards producing dance and groove oriented mu-
sic. This thing is packed with 238 sounds including hits,
scratches, breakbeats, loops, human voices, and 128 GM
sounds. There are 100 dynamic patterns to groove with and
lots of real time controls. Also in the fun category were their
new PSR-Series keyboards. There is the PSR-79 ($149),
PSR-195 ($259), and the PSR-225 ($399) which adds GM
sounds and EZ chord fingering with chord dictionaries and
directories. The new MU-128 ($1295) is brand new (ship-
ping in October) and will soon be redefining the standards
for small modules. It has 128-voice polyphony and over 1400
sounds in 24 MB of wave ROM. The really amazing thing is
that it has three of what they call PLG slots. These slots
provide ports for "alternate technology cards" to be installed,
giving it even more functionality. They also showed their
new SW1000XG card ($699.95), a PCI wavetable card with
hard disk recording (4 record and 12 playback tracks) and
multi effects processing. It has 20 MB of wave ROM, six
effects, and will be supported by all the popular sequenc-
ers. It supports the PLG cards mentioned above for the MU-
128 and also has the ability to interface directly with the
company’s upcoming DSP Factory.
ZEN DRUM still gets my award for coolest looking prod-
uct and for booth with the best vibe.
That's it. Another NAMM show is behind us. Get in con-
tact with your Sweetwater Sound Sales Engineer to find out
the latest low down on all these new toys. Many of the prod-
ucts are right on the brink of shipping so you'll want to get
your orders in right now to get one of the first ones.
— Continued from Page 9
can be used after the preamp tubes have shaped your signal. Then your effected signal
can be power-amped with real tubes in stereo. It also means that you can finally send the true output of your stereo
power tubes directly into your mixing board (no power-soak needed) for a fatness that no direct box could ever deliver.
You may wonder what Lexicon is doing making a custom “boutique” guitar amplifier. I asked Steve DeFuria of
Lexicon for the story. It turns out that Steve needed a small, low-wattage, portable, all-tube, stereo amp with stereo
effects inserts to research the development of their new MPX G2 Guitar Effects Processor (list $1799). Guess what?
No amp like that existed, so Steve enlisted the help of tube guru John McIntyre to build him a one-of-a-kind research
amp. Once the prototypes of the MPX G2 were ready, Steve traveled around showing the MPX G2 to many of the best
engineering ears and guitar gods in the industry. Each and every one of them loved the G2, but always started out by
asking, "Where the hell can I get one of those amps?"
After a while it became clear that modern guitar effects technology had outdistanced the amplifiers they needed
to play through and the Lexicon Signature 284 was born. The electric guitar will never be the same again. There's even
a specially designed stereo guitar speaker cabinet made for the Signature 284 called the SB 210 (retail $499). It's a
stereo, split baffle closed-back cabinet loaded with 2 Mojo 10" speakers that are rated a 35 watts peak per side which
are custom made by Mojo Tone.
To learn more about this amazing custom hand-made amplifier, call your Sweetwater Sales Engineer today for
current availability and your outstanding Sweetwater price.
LEXICON SIGNATURE 284
NASHVILLE NAMM REPORT