Filter
Top Products
7
*Pitch (Tonhöhe) ....................................................................40
*Others...................................................................................41
STORE PERFORMANCE.............................................................44
RECALL PERFORMANCE...........................................................44
EDIT [EFFECT].................................................................................45
Signalweg der Effekte.................................................................45
Rev..............................................................................................45
Type .......................................................................................46
Typspezifische Reverb-Parameter.........................................46
Reverb Pan............................................................................46
Rev Return.............................................................................46
Var...............................................................................................46
Type .......................................................................................46
Typspezifische Variation-Parameter ......................................46
Var Pan ..................................................................................47
Var Return..............................................................................47
SendVar→Rev........................................................................47
Ins ...............................................................................................47
Type .......................................................................................47
Typspezifische Insert-Parameter ...........................................47
Ins Pan...................................................................................47
SendIns→Rev........................................................................48
SendIns→Var.........................................................................48
InsDryLevel............................................................................48
EQ...............................................................................................48
Low Freq................................................................................48
Low Gain................................................................................48
Low Q ....................................................................................48
Low Shape.............................................................................48
Mid Freq.................................................................................49
Mid Gain ................................................................................49
Mid Q.....................................................................................49
High Freq...............................................................................49
High Gain...............................................................................49
High Q ...................................................................................49
High Shape............................................................................49
EDIT [VOICE] ...................................................................................50
COMMON ...................................................................................50
*LFO1 (Niederfrequenzoszillator 1).......................................51
*LFO2 (Niederfrequenzoszillator 2).......................................52
*Filter......................................................................................53
*Pitch EG (Tonhöhenhüllkurve)..............................................57
*Others...................................................................................58
OPERATOR .................................................................................61
*Osc (Oscillator) ....................................................................62
*EG (Amplitudenhüllkurve) ....................................................66
*FrqEG (Frequenzhüllkurve) ..................................................67
*Sns (Anschlagempfindlichkeit) ............................................68
STORE VOICE.............................................................................70
RECALL VOICE...........................................................................70
UTILITY-Funktionen ...............................................................71
SYSTEM ...........................................................................................71
*Master........................................................................................71
*MIDI...........................................................................................72
*Control.......................................................................................74
*Others........................................................................................76
DUMPOUT .......................................................................................77
*DUMPOUT-Arbeitsweise............................................................77
INITIAL .............................................................................................78
DEMO...............................................................................................78
Fehlersuche ............................................................................79
Display-Meldungen.................................................................82
Technische Daten...................................................................83
Index ........................................................................................84
Inhaltsangabe
FS- (Formant Shaping) und
FM-Synthese (Frequenzmodulation)............................8
FS-Synthese.......................................................................................8
*Formantsteuerung .......................................................................9
*Formant-Sequenzen: “FSeqs”...................................................10
*Andere Formant-Anwendungen................................................11
FM-Synthese ....................................................................................11
*Was war nochmal FM? ..............................................................12
Summa summarum..........................................................................13
Bedienelemente und Anschlüsse.........................................14
Vorderseite.......................................................................................14
Rückseite .........................................................................................16
Aufstellen und Anschließen..................................................17
Stromversorgung .............................................................................17
MIDI-Verbindungen..........................................................................17
*Tasteninstrument .......................................................................17
*Sequenzer oder Computer........................................................18
*G50 Guitar-MIDI-Converter .......................................................18
*Wind-MIDI-Controller der WX-Serie...........................................18
Audio-Verbindungen........................................................................19
*Kopfhörer...................................................................................19
*Instrumentenverstärker oder Stereo-Anlage .............................19
*Mischpult...................................................................................19
Reihenfolge beim Einschalten .........................................................20
Anhören der Demo ..........................................................................20
Der PLAY-Betrieb....................................................................21
Performance- und Voice-Einteilung.................................................21
*Performance-Kombinationen.....................................................21
*Voices........................................................................................21
*Bankanwahl via MIDI.................................................................22
Der Play-Betrieb (Performance) ......................................................22
Perf Ch (Performance-Kanal) .....................................................23
(Bank) .........................................................................................23
(Programmnummer)....................................................................23
Pfm Vol (Performance-Lautstärke)..............................................23
Pfm Pan (Performance-Panorama).............................................23
RevRtn (Reverb-Lautstärke) .......................................................23
VarRtn (Variation-Lautstärke)......................................................24
PfmNSft (Performance-Transposition) ........................................24
Der PART ASSIGN-Betrieb...............................................................24
Rcv Ch (Empfangskanal)............................................................25
Rcv Max (Letzter Empfangskanal; nur für Part 1 & 2)................25
(Bank) .........................................................................................25
(Programmnummer)....................................................................25
Volume (Lautstärke)....................................................................25
Pan (Panorama)..........................................................................25
RevSend (Reverb-Anteil) ............................................................26
VarSend (Variation-Anteil)...........................................................26
InsEfSw (Schalter des Insert-Effektes) .......................................26
DryLvl (Original-Ausgangspegel)...............................................26
Filter (Filterversatz) .....................................................................26
NoteSft (Transposition)................................................................26
Einsatz des [MUTE/SOLO]-Taster der Reihe nach stumm- und
solo schalten und wieder den normalen Wiedergabebetrieb
anwählen.....................................................................................26
Die Search-Funktion.........................................................................27
Editieren ..................................................................................28
Allgemeine Bedienvorgänge ...........................................................28
Einsatz des [MUTE/SOLO]-Tasters in den Edit-Betriebsarten ...29
EDIT [PERFORMANCE] ...................................................................30
COMMON ...................................................................................30
*CtrlSrc (Voice-Steuerquelle).................................................30
*CtrlDst (angesteuerte Parameter/Parts)...............................31
*Fseq (Formantsequenz).......................................................32
*Others...................................................................................35
PART ...........................................................................................37
*Tone......................................................................................37
*EG (Hüllkurvengenerator) ....................................................39
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