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13 BASS V-AMP LX1B/BASS V-AMP PRO LX1B PRO User Manual
Cabinet simulations
— BYPASS (NO SPEAKER SIMULATION)
1 AMPEG SVT 8 x 10" '97
2 TRACE ELLIOT 4 x 10"
3 SWR GOLIATH 4 x 10"
4 AMPEG 4 x 10"
5 GALLIEN KRUEGER B120
6 68 MARSHALL 4 x 12"
7 AMPEG B15 1 x 15" CLOSED BACK COMBO
8 POLYTONE A101 1 x 15" CLOSED BACK COMBO
9 VOX AC100 2 x 15"
10 MESA/BOOGIE 2 x 15"
11 FENDER BASSMAN 2 x 15" WITH JBLs
12 LESLIE 760 CABINET, 1 x 15" + HF-DRIVER
13 SWR 1 x 18"
14 AMPEG SVT 18E, 1 x 18"
15 SUNN COLISEUM 1 x 18" + 1 x 12"
16 1 x 8" TWEED
17 1x 12" MID
18 2 x 12" TWIN COMBO
19 2 x 12" V-AMP CUSTOM
20 4 x 12" VINTAGE 30
21 4 x 12" '78 STD.
22 4 x 12" OFF AXIS
23 4 x 12" V-AMP CUSTOM
Tab. 5.2: Overview of cabinet simulations
5.3 Denoiser and compressor
DENOISER: A Denoiser is used to remove or minimize noise or other interference
sounds. Such noise becomes particularly apparent during pauses. The time-
proven BEHRINGER denoiser removes or reduces such noise very eectively.
A dynamic low-pass lter eliminates the noise present in the signal, while the
integrated expander supresses noise during pauses. Concerning this dynamic
lter you can adjust frequency range and sensitivity, while the expander adjusts
both the threshold and the time parameter.
◊ The BASS V-AMP/BASS V-AMP PRO’s denoiser can be used independently
from the integrated multi-effects processor. See chapter 2.1 ( ( 8 ) E)
for information about using the denoiser.
COMPRESSOR: A compressor is used to elevate low-level signals, whereas loud
parts are lowered if needed.
Letting the compressor kick in strongly (done by turning the EFFECTS control
clockwise) tightens the entire dynamic of the signal. This dynamic eect is the
one that is most used in a connection with an electric bass. On the other hand,
alimiter cuts o the signal above a set threshold to prevent distortion.
◊ BASS V-AMP/BASS V-AMP PRO’s compressor can always be activated
independently from the integrated multi-effects processor.
6. Eects Processor
The integrated multi-eects processor is a distinctive feature of your
BASSV-AMP/BASS V-AMP PRO. This eects module oers you 16 dierent
groups of rst-class eects, such as chorus, anger, stereo delay, rotary cab.,
synth as well as various combination eects. Additionally, you can use an extra
wah wah eect via the MIDI function. This can be optimized by using a MIDI
foot controller with an expression pedal, for example the BEHRINGER MIDI FOOT
CONTROLLERFCB1010.
◊ The multi-effects processor functions basically in stereo. This way,
you can use stereo effects for recording purposes via the LINE OUT on
the BASS V-AMP or via the ANALOG LINE OUTPUT on the BASS V-AMP
PRO. You can also use a second amp to play in stereo (also see table 3.1).
The eects can be edited in three parameters:
1. By rotating the EFFECTS control.
2. By rotating the EFFECTS control while the TAP key is pressed.
3. By pressing the TAP key in the beat of a music piece. Table 6.1 shows the
eects parameters of your BASS V-AMP/BASS V-AMP PRO.
◊ To adapt beat-based effects to your musical program, press the TAP key
twice in the beat of the music.
6.1 Pre-amp eects
Eect no. PRE FX
EFFECTS
Controller 48
EFFECTS +
TAP button
Controller 49
MIDI 1
Controller 50
0 MIDI WAH — — —
1 P-FUNK'N Depth Sensitivity Base frequency
2 AUTO WAH Depth Sensitivity Base frequency
Tab. 6.2: Pre FX
MIDI WAH: The legendary wah wah was primarlily made famous by Jimi Hedrix.
Explaining it would be surely more dicult than simply telling you to go listen
Hendrix’ Voodoo Chile. When the DRIVE function is activated, turning the EFFECTS
control sets the wah wah. The LED circle around the control displays the position
of the pedal. When no LED is on, the MIDI wah wah is not active.
P-FUNK’N: This is our attempt at replicating the legendary MuTron III, and we
succeeded! The MuTron III was a mixture out of Auto wah wah and lter eect.
The most famous user of this eect is probably Bootsy Collins. The MuTron III had
an up/down switch. Here, the eect resembles the MuTron in the down position.
AUTO WAH: The American funk in the ’70s proved that auto wah had many
possible applications. Instead of regulating the lter frequency with your foot,
our eect does this automatically, depending on the signal level. In doing so,
oureect is similar to the MuTron III in the up position.
◊ Wah wah is not available when auto wah or P-Funk’n are being used.