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List of E ects
ECHO Delayed and ltered repetition of the
input signal.
DELAY Delays the input signal, with di erent tempo
settings emulating an early re ections
room e ect on the repetitions producing an
echo-like e ect.
PING PONG A delay e ect that alternates between the left
and right channel/speaker.
PHASER A second, phase-shifted signal is added to the
audio signal, creating a wave-like e ect.
FLANGER Similar to a phaser in the fact that it produces
wave-like modulation to the guitar tone.
CHORUS Adds a slightly modulated o -key element to the
original signal.
PHASER & DELAY Phaser and delay combined.
FLANGER & DELAY Combines anger and delay.
CHORUS & DELAY Combines signal delay with chorus.
COMPRESSOR Limits the dynamic range of the audio
material, increasing sustain and giving notes a
crisper quality.
CHORUS & COMP Combines chorus and compression.
AUTO WAH Alters a lter frequency automatically depending
on the signal’s magnitude, giving notes a vowel
sound-like quality.
TREMOLO Volume is continuously modulated up and down
to an adjustable tempo.
ROTARY Simulation of the classic organ e ect normally
produced by speakers rotating at slow or fast
speed inside a speaker cabinet.
NOISE GATE Removes or reduces noise or other interference
by muting the signal during breaks.
REVERB
NO.
REVERB TYPE QUALITY
1 Tiny Room
Classic room simulation
featuring various room sizes
from bathroom to cathedral
2 Small Room
3
Medium Room/
Large Room
4 Ultra Room
Special e ect transforming
guitar signals into heavenly
pad sounds
5 Small Spring
Simulations of typical
spring reverbs6 Medium Spring
7 Short Ambience Simulates the early
re ections of a reverbless
room
8 Long Ambience
List of Amps
CLEAN
TUBE PREAMP Tube amps add warmth to all kinds
of sounds. By default, this amp
model does not use a speaker
simulation, and can be used with
vocals, but adding a speaker cab
produces good clean tones.
SMALL COMBO Based on a small, simple amp
originally made for beginners, but
it’s no ”Tender Chump!“ With plenty
of gain, it rewards you with
compression and rich distortion.
CLASSIC CLEAN Shake it up with this model—ideal
for the New Wave sound of the 80s
that is making a comeback today.
TWEED COMBO A close cousin of the SMALL COMBO
model, this super-simpli ed
model will toughen up your tone
blow by blow!
CLEAN V-AMP This model gives you the squeaky
cleans of the CLASSIC CLEAN, but
with the cutting power of one of
the most famous British amps of
all time. You’ll believe in miracles
when you hear this ”plexi“ thing.
CALIFORNIA CLEAN Based on the clean channel of a
certain amp sharing a name with a
big, at southwestern land form.
BLACK TWIN Modeled after a famous 1960s 2x12
combo amp that was exceptionally
loud with low distortion.
CUSTOM CLEAN Simulation of the clean channel
from a very expensive boutique
amp whose name rhymes with
”stumble“. Loves compression.
BLUES
AMERICAN Based on a timeless 60s 4x10
combo originally intended as a
bass amp but embraced by electric
blues rockers.
FUZZ BOX Not based on an amp, but a
distortion box that debuted in the
60s and provided ”big fuzz“ for 90s
grunge bands.
DELUXE BLUES A synthesis of the AMERICAN and
the BLACK TWIN, giving you a
greater EQ range.
V-AMP DRIVE This simulation is based on a
more modern high-gain lead amp
that’ll make you wanna boogie.
This produces a smooth and precise
tone with plenty of drive, making it
ideal for lead guitar work.
BRIT BLUES Based on an amp that was
considered the “cream” of the crop
in the psychedelic 60s. Try it with a
2 x 12" speaker simulation.
V-CRUNCH Ideal for modern blues or jazz.
Its sound is subtle, but crunchy
and dynamic.
CUSTOM BLUES Like the BRIT BLUES, but capable
of a thick boutique distortion tone
when the GAIN is cranked!
BRIT CLASSIC 50 W 50 W blues breaker sibling of our
Brit Classic model with extensively
widened sound range.
METAL
NUMETAL GAIN Based on a 90s amp also bearing
that big, at southwestern name,
featuring a post-gain tone control
for ultra-customized distortion.
NUMETAL HD Much like the NUMETAL GAIN,
this amp produces an even higher
gain sound. The tone controls
are most e ective with the gain
knob cranked.
SAVAGE BEAST Half-English, so to speak, this
model has extreme power and
is therefore highly popular with
heavy metal guitarists.
CUSTOM HI GAIN Based on a variation of the BRIT
BLUES, modi ed by a famous
eruption-inducing guitarist’s
technician. Great midrange without
the mud!
BRIT HI GAIN Modeled after a big, bad stacked
British amp renowned for its
distorted sounds, but also great on
low-gain settings.
MODERN HI GAIN Another model with post-gain
EQ, this amp can easily go
from fuzzed-out grunge to
laser-guided shredding.
NEW! ULTRAZONIC New, aggressive, in-your-face
hi-gain sound similar to the crunch
channel of the BUGERA 333XL.
Excellent for detuned, palm-muted,
fast rhythm guitar ri s.
ULTIMATE PLUS Those who nd the ULTRAZONIC
too tame will nd enough gain
here for an overdose, and nearly
endless sustain.
ROCK
NEW! ROCK 59SL Stands out for its extremely
dynamic rock sound, dishing out
fat clean tone as well as solid
crunch. Here both input channels
are bridged for parallel operation.
BRIT CLASS A Simulation of an iconic double-
wide British amp that helped a
quartet of longhairs cause mass
panic in the 1960s.
NEW! HI BRIT 100 Modeled after a custom high-watt
amp that’ll have your audience
wondering, ”How do you think
he does it?“
CUSTOM CLASS A Simulates an amp sharing a
name with an obese Asian deity.
Renowned for its warm sound
combined with irresistible tube
distortion. Although the original
amp does not have a mid control,
we have given the capability of
suiting the midrange to your taste.
NEW! AMBER 120 Based on an amp that brings
citrus-laden goodness to mind.
Perfect for vintage distortion
freaks. If you crank the gain,
the preamp tone controls greatly
in uence the sound.
CLASS A NORM This amp is characterized by its
mild distortion and sounds almost
like hi- . If there’s any match for
this amp, we ain’t found it!
BRIT CLASSIC Based on the second channel of our
59SL amp model, this one provides
a slightly darker range of clean and
crunch sounds.
BRITISH CLASS A 15 W Unlike the BRIT CLASS A, this amp
had only one 12" speaker and
produced a warmer sound. Tip:
to make this simulation sound as
authentic as possible, leave the
BASS and MID controls in middle
position and adjust the TREBLE
control only.
PREAMP BYPASS In this setting, no amp simulation
is selected. This makes it possible,
for example, to play through an
external guitar preamp and only
use the e ects or the speaker
simulation. To activate the PREAMP
BYPASS, press TAP and TUNER
simultaneously.
V-AMP3