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A-5
Appendix/Apéndice
706A-E-117A
1
2
345
6
446
447
448
449
450
451
452
453
454
455
456
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458
459
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461
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486
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489
490
491
492
493
494
495
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498
499
GM CHARANG
GM VOICE LEAD
GM FIFTH LEAD
GM BASS+LEAD
GM FANTASY
GM WARM PAD
GM POLYSYNTH
GM SPACE CHOIR
GM BOWED GLASS
GM METAL PAD
GM HALO PAD
GM SWEEP PAD
GM RAIN DROP
GM SOUND TRACK
GM CRYSTAL
GM ATMOSPHERE
GM BRIGHTNESS
GM GOBLINS
GM ECHOES
GM SF
GM SITAR
GM BANJO
GM SHAMISEN
GM KOTO
GM THUMB PIANO
GM BAGPIPE
GM FIDDLE
GM SHANAI
GM TINKLE BELL
GM AGOGO
GM STEEL DRUMS
GM WOOD BLOCK
GM TAIKO
GM MELODIC TOM
GM SYNTH-DRUM
GM REVERSE CYMBAL
GM GT FRET NOISE
GM BREATH NOISE
GM SEASHORE
GM BIRD
GM TELEPHONE
GM HELICOPTER
GM APPLAUSE
GM GUNSHOT
DRUM SET
STANDARD SET 1
STANDARD SET 2
ROOM SET
POWER SET
ELECTRONIC SET
SYNTH SET 1
SYNTH SET 2
JAZZ SET
BRUSH SET
ORCHESTRA SET
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
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107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
0
1
8
16
24
25
30
32
40
48
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
120
120
120
120
120
120
120
120
120
120
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
32
32
32
32
16
32
32
32
32
16
32
32
32
32
32
32
32
16
16
32
32
16
32
—
—
—
—
—
—
—
—
—
—
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
D
D
D
D
D
A
A
D
D
D
D
D
D
D
D
D
D
D
D
D
D
D
D
NOTE
• The meaning of each range type is described below.
NOTA
• El significado de cada tipo de gama se describe debajo.
Range Type/Tipo de gama
C
-
1 C9C8C7 G7C6C5C4C3C2C1C0 G9
A
=
440Hz
a
b
c
D
(Sound Effect)
(Efecto de sonido)
No scale for tones.
Sin escala para los sonidos.
B
“211 PICCOLO 1”/
“222 PICCOLO 2”
“211 PICCOLO 1”/
“222 PICCOLO 2”
C
Instrumentos de
altura tonal baja
Low pitch
instruments
A
(Standard type)
(Tipo estándar)
........Available range (using transpose or message receive)
........Gama disponible (usando la transposición o recepción de mensajes)
........Keyboard range
........Gama del teclado
........Notes in these ranges are produced by playing the notes in range b that are in
the nearest octave as the result of transpose and message receive operations.
........Las notas en estas gamas se producen ejecutando las notas en la gama b que
se encuentre en la octava más cercana como resultado de las operaciones de
transposición y recepción de mensajes.