Fender FM 212 DSP Musical Instrument Amplifier User Manual


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INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN DER MUS IC AL INSTRUMENTS
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E



      



 



 

Os amplifi cadores mais famosos do mundo - desde 1946.
Os amplifi cadores mais famosos do mundo - desde 1946.
Os amplifi cadores mais famosos do mundo - desde 1946.
 

OBSERVAÇÃO: Ítens {B-G} abaixo são aplicáveis para ambos os canais.
 










      
   


  
     

      




     
   
   

 


 

 

  
     




 
     
    

 


Painel Traseiro
  
   

   
   
        
    

     

     
   
   


        

 

       





Amplificador Amplificador
FM212 DSPFM212 DSP
Painel FrontalPainel Frontal
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN DER MUS IC AL INSTRUMENTS
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN DER MUS IC AL INSTRUMENTS
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
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