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39. Tape Out Level
Sets the level of the main left and right stereo signal
sent to the tape output jack. It is post master fader.
40. Tape Input/Output
One half of this stereo RCA phono jack provides a
signal for the recording inputs of a stereo tape deck,
with an amplitude set by the Tape Output Level
control (#39). The other half accepts a stereo input
(nominally -10 dBu) from the output of a tape deck or
CD player.
Caution: The tape output signal includes the tape input
signal, which can cause feedback if the Tape Input
Level (#41) is turned up while recording on a single
machine that is connected to both the tape output
and tape input jacks.
41. Tape Input Level
Adjusts the level of the tape signal (#40) supplied to
the L-R mix and to the AUX 1 & 2 buses.
42. Tape Assign
Adds a mono sum of the tape signal to the AUX 1 &
2 mixes. This can be used to send the tape signal to
monitors for soundtrack monitoring. The tape signal
is always assigned to the L-R mix, regardless of this
switch’s position.
43. Talkback Assign
Selects which outputs will have the talkback mic
signal (L-R or AUX 1-4) for house or monitor feeds.
44. Talkback Enable
Press and hold to engage the talkback mic. The out-
put is directed according to the assignment selection.
(See #43.)
45. Talkback Level
Adjusts the level of the talkback mic. This affects the feed to the L-R and AUX 1-4.
46. PFL Master Level
Sets the level of the PFL mix that is sent to the headphone/control room level control. Functions
only when PFL is active. (See #47.)
47. PFL Active
This LED illuminates when the PFL is active and its signal is overriding the standard L-R mix in
the headphone and control room outputs and at the L-R meters. The signals that are present in
the PFL mix can be seen by the individual LEDs lit.
48. Headphone/Control Room Level
Adjusts the volume of the headphone and control room outputs. The output changes from the
L-R mix (post fader) to the PFL mix whenever the PFL is active.
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40
41
42
43
44
45
46
47
48
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