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Appendices
The entries under “PU” in the chart indicate the type of pickup suited to the respective patch.
ME-70: GUITAR MULTIPLE EFFECTS
0 dBu = 0.775 Vrms
In the interest of product improvement, the specifications and/or ap-
pearance of this unit are subject to change without prior notice.
Preset Patch List
Patch
Number
Explanation PU
1-1 Rough distortion sound, good for backing. S/H
1-2 Well sustained distortion sound, good for solos. S/H
1-3 Crunch sound suitable for blues. S/H
1-4 Clean sound for arpeggio. S/H
2-1 Metal sound good for riffs. H
2-2 Fuzz sound of the 60s with UNI-V. Speed of UNI-V effect can be changed with expression pedal. S
2-3 Crunch sound, good for chord strokes. S/H
2-4 Tight, clean sound, good for rhythm. S/H
3-1 Drive sound for 70s hard rock. S/H
3-2 Metal sound, good for single-coil pickups. S
3-3 Rotary sound of the 70s. Speed of ROTARY effect can be changed with expression pedal. S/H
3-4 Jazz sound, suitable for neck pickup. H
4-1 Sweet drive sound for latin rock. Level of DELAY effect can be controlled with expression pedal. H
4-2 This is a whimsical sound suited to 1970s progressive rock. S
4-3 Tremolo sound, good for 60s surf rock. S
4-4 Clean sound with T.WAH for funk. S
5-1 Distortion sound for 80s metal. H
5-2 This raises the pitch by an octave when the expression pedal is operated. It is suited to single-note phrases. S/H
5-3 Crunch sound with COMPRESSOR for solos. S
5-4 Phaser sound, good for rhythm. S/H
6-1 Drive sound, good for punk rock. S/H
6-2 Twin-lead-like distortion sound for single-note phrases in A minor (C major.) S/H
6-3 90s alternative-rock sound. S/H
6-4 Clean sound with pedal wah, good for rhythm. S/H
7-1 Mild lead sound for jazz-fusion. S/H
7-2 This produces an effect like a talk box when the pedal is operated. S/H
7-3 Slap-back echo sound for country. S
7-4 Clean tone for 60s Liverpool sound. S
8-1 Heavy distortion combining sound an octave lower. H
8-2 Wild distortion with FLANGER. H
8-3 Hard rock sound with PHASER. H
8-4 Changes a single-coil-pickup sound to a clean, humbucker sound. S
9-1 This tone is suited to solos that combine PEDAL WAH and DISTORTION. S/H
9-2 Synth-like sound using SLOW GEAR. S
9-3 This is a crunch sound that uses a dotted eighth note delay. Pressing the number pedals changes the delay time. S
9-4 Fretless guitar sound. S
Specifications
AD
Conversion
24-bit + AF method
AF method (Adaptive Focus method)
This is a proprietary method from Roland & BOSS
that vastly improves the signal-to-noise (S/N) ra-
tio of the A/D and D/A converters.
DA
Conversion
24-bit
Sampling
Frequency
44.1 kHz
Patch 36 (User) + 36 (Preset)
Nominal
Input Level
GUITAR INPUT: -10 dBu
AUX IN: -18 dBu
Input
Impedance
GUITAR INPUT: 1M ohm
AUX IN: 22k ohms
Nominal
Output Level
-10 dBu
Output
Impedance
2k ohms
Display 7 segments, 2 digits LED
Power Supply
DC 9 V
Dry Batteries (R6/LR6(AA) type) x 6
AC Adaptor (BOSS PSA series: sold separately)
Current Draw 130 mA
Expected bat-
tery life under
continuous use
Alkaline: 12 hours
Carbon: 3.5 hours
(These figures will vary depending on the
actual conditions of use.)
Dimensions
384 (W) x 229 (D) x 74 (H) mm
15-1/8 (W) x 9-1/16 (D) x 2-15/16 (H) inches
Maximum height:
384 (W) x 229 (D) x 100 (H) mm
15-1/8 (W) x 9-1/16 (D) x 3-15/16 (H) inches
Weight 3.5 kg, 7 lbs 12 oz (including batteries)
Accessories
Owner's Manual
Dry Batteries (Alkaline: LR6 (AA) type) x 6
Roland Service (Information Sheet)
Options
AC Adaptor: BOSS PSA series
Footswitch: BOSS FS-5U, FS-6
S = Patch that is optimal for a single-coil pickup
H = Patch that is optimal for a humbucking pickup
ME-70_e1.book 17 ページ ２００８年１１月５日 水曜日 午後５時３９分