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AUX SEND 2
This is normally POST-FADE, and would typically be used as an effects send, but may
be switched globally to PRE-FADE using the POST/PRE switch on the Master section, pro-
viding a second foldback or monitor send if required.
AUX SEND 3
This is always POST-FADE.
8 BALANCE
This control sets the amount of the channel signal feeding the Right and Left MIX or
SUB buses, allowing you to balance the source in the stereo image. When the control is
turned fully right or left you feed only that side of the signal to the mix. Unity gain is pro-
vided by the control in the centre-detented position.
9ON
All outputs from the channel except inserts are muted when the ON switch is released
and enabled when the switch is down.
10 MIX / SUB
The channel signal may be routed in stereo to either the main MIX (switch UP) or SUB
buses (switch DOWN). The left/right balance is set by the BAL control (see above).
11 FADER
The 100mm FADER gives you smooth control of the overall signal level in the channel
strip, allowing precise balancing of the various source signals being mixed to the Master
Section. It is important that the input level is set correctly to give maximum travel on the
fader which should normally be used at around the `0 mark. See the `Initial Set Up sec-
tion on page 16 for help in setting the right level.
12 PFL
When the latching PFL switch is pressed, the pre-fade signal is fed in mono to the head-
phones, control room output and meters, where it replaces the selected monitor source
(MIX, SUB or 2TK). The PFL/AFL LED on the Master section illuminates to warn that a
PFL is active. The Left and Right meters display the PFL signal in mono. This is a useful
way of listening to any required input signal without interrupting the main mix, for making
adjustments or tracing problems.