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Page 5
WIRING UP
Please refer to pages 27/28 for additional wiring details.
MIC INPUT
The mic input accepts XLR-type connectors and is designed to suit a wide range of
BALANCED or UNBALANCED low-level signals, whether from delicate vocals
requiring the best low-noise performance or close-miked drum kits needing maximum
headroom. Professional dynamic, condenser or ribbon mics are best because these
will be LOW IMPEDANCE. While you can use low-cost HIGH IMPEDANCE mics,
you do not get the same degree of immunity to interference on the microphone cable
and as a result the level of background noise may be higher. If you turn the PHAN-
TOM POWER on, the socket provides a suitable powering voltage for professional
condenser mics.
DO NOT use UNBALANCED sources with the phantom power switched on.
The voltage on pins 2 & 3 of the XLR connector may cause serious damage.
BALANCED dynamic mics may normally be used with phantom power
switched on (contact your microphone manufacturer for guidance).
The input level is set using the input SENS knob.
The LINE input offers the same gain range as the MIC input, but at a higher input
impedance. This is suitable for most line level sources, and provides the gain needed
for lower level keyboards and high impedance microphones.
WARNING - Start with the input SENS knob turned fully anticlockwise when
plugging high level sources into the LINE input to avoid overloading the
input channel or giving you a very loud surprise!
LINE INPUT
Accepts 3-pole `A gauge jacks, or 2-pole mono jacks which will automatically
ground the cold input. Use this input for sources other than mics, such as keyboards,
drum machines, synths, tape machines or guitars. The input is BALANCED for low
noise and immunity from interference, but you can use UNBALANCED sources by
wiring up the jacks as shown, although you should then keep cable lengths as short as
possible to minimise interference pick-up on the cable. Note that the ring must be
grounded if the source is unbalanced. Set the input level using the SENS knob, starting
with the knob turned fully anticlockwise. Unplug any MIC connection when using the
LINE input.
INSERT POINT
The unbalanced, pre-EQ insert point is a break in the channel signal path, allowing
limiters, compressors, special EQ or other signal processing units to be added in the
signal path. The Insert is a 3-pole A gauge jack socket which is normally bypassed.
When a jack is inserted, the signal path is broken, just before the EQ section.
The signal from the channel appears on the TIP of the plug and is returned on the
RING, with the sleeve as a common ground.
The Send may be tapped off as an alternative pre-fade, pre-EQ direct output if
required, using a lead with tip and ring shorted together so that the signal path is not
interrupted.
Signal Send
Signal Return
Gnd/Screen
Tip
Ring
Sleeve
Inserts
Hot (+ve)
Cold (-ve)
Gnd/Screen
Signal
Gnd/Screen
Gnd/Screen
Tip
Ring
Sleeve
Unbalanced
3 pole Jack
Unbalanced Mic
XLR
Balanced Mic
XLR
Balanced
3 pole Jack
2. Hot(+ve)
3. Cold(-ve)
1. Screen
1. Screen
2. Hot(+ve)
Link 3
to 1