Yamaha CVP-208 Electronic Keyboard User Manual


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CVP-210/208
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC.
ùÚ‡ ËÒÍβ˜ËÚÂθÌÓ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ‡Á‡·Óڇ̇ Ò ÔËÏÂÌÂÌËÂÏ ÔÂ‰ӂÓÈ ÚÂıÌÓÎÓ„ËË Ó·‡·ÓÚÍË ÚÂÏ·‡, Ô‰̇Á̇˜ÂÌÌÓÈ ‰Îfl
‡‚ÚÓχÚ˘ÂÒÍÓÈ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ̇ ÓÒÌÓ‚Â Ó‰ÌÓ„Ó ‚Â‰Û˘Â„Ó ÚÂÏ·‡. àϲÚÒfl ˜ÂÚ˚ ‡ÁÌ˚ı ÂÊËχ „‡ÏÓÌËÁ‡ˆËË Ì‡fl‰Û Ò
¯ËÓÍËÏ ‚˚·ÓÓÏ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË. èÓÏËÏÓ Ó·˚˜ÌÓÈ „‡ÏÓÌËÁ‡ˆËË ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208
ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ ËÁÏÂÌflÚ¸ ÔÓÎ ËÒÔÓÎÌËÚÂÎfl ÔË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë/ËÎË Á‚Û˜‡ÌËfl ‚Â‰Û˘Â„Ó ‚Ó͇·. ç‡ÔËÏÂ, β·ÓÈ Ô‚ˆ
ÏÓÊÂÚ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡Ú¸ ‰‚ ԇÚËË ÊÂÌÒÍÓ„Ó ·˝Í-‚Ó͇·. ÅÓθ¯ÓÈ ‚˚·Ó
Ô‡‡ÏÂÚÓ‚ ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ËÒÍβ˜ËÚÂθÌÓ ÚÓ˜ÌÓÂ Ë „Ë·ÍÓ ÛÔ‡‚ÎÂÌË Á‚Û˜‡ÌËÂÏ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.
Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
ÔÓ‰Íβ˜ÂÌËË ÏËÍÓÙÓ̇ ÒÏ. ̇
ÒÚ. 155.
èêàåÖóÄçàÖ
POWER
METRONOME
MASTER VOLUME
STYLE
ACMP AUTO FILL IN
OTS LINK
BREAK INTRO MAIN
START ⁄ STOP
ON
MIN MAX
OFF
ENDING ⁄ rit.
TAP TEMPO
REW REPEATTOP FFREC
MIC.
SIGNAL OVER
FADE IN ⁄ OUT
TAP TEMPO
DEMO
HELP
FUNCTION
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
BALANCE
CHANNEL
ON ⁄OFF
TRANSPOSETEMPO
SYNC.STOP START ⁄ STOP
PAR T
PAR T
A
E
D
C
B
F
J
I
DIRECT ACCESS
12345678
EXIT
START ⁄ STOP
SONG
EXTRA TRACKS TRACK 2 TRACK 1
VOCAL HARMONY TALK EFFECT VH TYPE SELECT MIC. SETTING
STYLE L
R
SYNC.START
RESETRESET
GUIDE
MENU
BACK NEXT
VOICE PART
PIANO
ON ⁄OFF
HARMONY ⁄ ECHO LEFT HOLDMONO
DIGITAL
STUDIO
H
G
LAYER
PIANO & HARPSI. E. PIANO PERCUSSION GUITAR BASS ORGAN FLUTESORGAN & ACCORDION
BRASS WOODWIND CHOIR & PAD SYNTH. XG USERSTRINGS
LEFT
DATA
ENTRY
FREEZE MEMORY
1
1432
34 75862
ENTER
VOICE EFFECT
VOICE
MUSIC FINDER
ONE TOCTH SETTING
REVERB DSP VARIATION
MIC. SIGNAL OVER
VOCAL HARMONY TALK EFFECT VH TYPE SELECT MIC. SETTING
MIC. SIGNAL OVER
VOCAL HARMONY TALK EFFECT VH TYPE SELECT MIC. SETTING
ë ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚ SIGNAL Ë OVER ‚˚·ÂËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ̇ÒÚÓÈÍÛ (ÒÚ. 155).
èÓ‰Íβ˜Ë‚ Í CVP-210/208 ÏËÍÓÙÓÌ, ‚˚ ÏÓÊÂÚÂ
ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛
ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. èË ˝ÚÓÏ ‚Ó͇Π·Û‰ÂÚ
‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òfl ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘Ëı
‰ÓÓÊÂÍ.
ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚ÂÏÂÌÌÓ ÓÚÍβ˜‡Ú¸
„‡ÏÓÌËÁ‡ˆË˛ ‚Ó͇· Ë ‰Û„Ë ˝ÙÙÂÍÚ˚ ÔË ËÒÔÓθÁÓ‚‡ÌËË
ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÏËÍÓÙÓ̇. ùÚÓ ÓÒÓ·ÂÌÌÓ Û‰Ó·ÌÓ, ÂÒÎË ÏÂʉÛ
ËÒÔÓÎÌÂÌËÂÏ ÔÂÒÂÌ ËÒÔÓÎÌËÚÂθ Ó·‡˘‡ÂÚÒfl Í ÔÛ·ÎËÍÂ.
è‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó
Ò˄̇· ˝ÙÙÂÍÚÓÏ, Á‡‰‡ÌÌ˚Ï Ì‡ ˝Í‡Ì MIXING CONSOLE (ÒÚ. 126).
ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ VOCAL HARMONY
TYPE, ÔÓÁ‚ÓÎflfl Á‡‰‡‚‡Ú¸ Ú·ÛÂÏ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.
ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡
˝Í‡Ì‡ MICROPHONE SETTING
(̇ÒÚÓÈÍË ÏËÍÓÙÓ̇) (ÒÚ. 133),
ÔÓÁ‚ÓÎflfl „ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸
ÏËÍÓÙÓ̇ Ë „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
Ç˚·Ó ÚËÔ‡
„‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.
1
ç‡ÊÏËÚ ÍÌÓÔÍÛ
[VH TYPE
SELECT].
2
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ
„ÛÎËÓ‚‡Ú¸ ÛÓ‚Â̸
ÔÓÒ˚· ˝ÙÙÂÍÚ‡.
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