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Editing the voice -SOUND CREATOR-
PSR-2000/1000
88
Regular Voice Parameters
The following parameters are linked to the ones in each display.
COMMON
The explanations here apply to step #3 on page 87.
COMMON Determines the common settings such as voice volume or octave.
SOUND Determines the timbre/EG (Envelope Generator)/vibrato of the voice.
EFFECT/EQ (PSR-2000)
EFFECT (PSR-1000)
Determines the effect depth/type and equalizer settings.
HARMONY Determines the Harmony/Echo settings.
Common parameter Other location
MONO VOICE EFFECT (TOP PANEL) page 58
PORTAMENTO TIME MIXING CONSOLE page 123
FILTER BRIGHTNESS MIXING CONSOLE page 123
FILTER HARMONIC CONTENT MIXING CONSOLE page 123
REVERB DEPTH MIXING CONSOLE page 124
CHORUS DEPTH MIXING CONSOLE page 124
DSP ON/OFF VOICE EFFECT (TOP PANEL) page 57
DSP DEPTH MIXING CONSOLE page 124
DSP TYPE/VARIATION MIXING CONSOLE/VOICE EFFECT (TOP PANEL) page 58,124
EQ LOW/GAIN MIXING CONSOLE page 121
EQ HIGH/GAIN MIXING CONSOLE page 121
HARMONY/ECHO TYPE HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO VOLUME HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO SPEED HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO ASSIGN HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO CHORD NOTE ONLY HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO TOUCH LIMIT HARMONY/ECHO (FUNCTION) page 143
Keep in mind that there are
certain parameters whose
Sound Creator settings
affect only the Main part’s
voice.
81 2 3 4 5 6 7
Set the volume of the current edited
voice.
Set the portamento time of each
part (MAIN/LAYER/VOICE)
(page 123).
Determines the touch sensitivity, or
how greatly the volume responds to
your playing strength.
0 —–– Produces more dramatic
level drops, the more softly
you play.
64
—
– Normal response.
127— Produces high volume for
any playing strength (fixed)
Shift the octave range of the
selected voice up or down in
octaves. When the Main or Layer
part’s voice is used, the M/LYR
parameter is available; when the
Left part’s voice is used, the LEFT
parameter is available.
This determines whether the voice
is played monophonically (page 58).