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Harmony Parameters
■ Parameter Descriptions ..................................................................
1. Mode
• duet above
Produces one harmony note, in a pitch above the lead note.
• duet below
Produces one harmony note, in a pitch below the lead note.
• duet abv+b (duet above + bass)
Produces two harmony notes — one in a pitch above the lead note, and one an
octave below the other harmony. (The “+b” in the type name stands for “added
bass note.”)
• trio above
Produces two harmony notes, in pitches above the lead note.
• trio a&b (trio above + below)
Produces two harmony notes — one in a pitch above the lead note, and one below.
• trio below
Produces two harmony notes, in pitches below the lead note.
• trio a&b+b (trio above & below + bass)
Produces three harmony notes — one in a pitch above the lead note, and two below
— one of them an octave below the higher harmony. (The “+b” in the type name
stands for “added bass note.”)
• quar above (quartet above)
Produces three harmony notes, in pitches above the lead note.
• quar a&b (quartet above & below)
Produces three harmony notes — two in pitches above the lead note, and one be-
low.
• quar below (quartet below)
Produces three harmony notes, in pitches below the lead note.
Other Parameters
The remaining parameters for the Chordal Type are the same as those for the Vocoder
Type, described on pages 14~18.