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PLAY
In this setting, the display shows you the current program number. This is the mode you should choose
for typical live performances, as it allows you to switch programs easily via the foot pedals.
Indicates the bank letter and program number of the current program.
COMP/LIMIT (Compressor/Limiter)
Compression. Adds sustain and smoothness by lowering the dynamic range.
Limiting. Retains the original volume, but smoothes out the loudest peaks.
Off. Turns COMP/LIMIT off.
DIST (Distortion)
This setting adds that universal effect that was first used in rock music decades ago and now has
become a staple for guitarists in many genres.
Acoustic.
Emulates the sound of an acoustic guitar.
T
ube Clean.
Simulates the clean sound of a classic tube amplifier.
R
hythm.
A slightly distorted sound; great for rhythm playing.
O
verdrive.
Provides more grit than the Rhythm setting, like you’re really
pushing those amplifier tubes.
D
istortion.
Adds crunchiness to your sound.
Bl
ues.
A warm yet slightly crunchy sound associated with some of the
blues-guitar greats.
Fu
zz. That classic fuzz distortion effect of the 60s. Just listen and you’ll
see how it got the name.
L
ead. A searing overdrive that will make your solos scream.
M
etal. A heavily overdriven sound with a long sustain.
S
tack Drive. A heavy, driving distortion that sounds like you’re playing through
a massive tube stack amp.
C
ombo Drive. Another heavyweight distortion; sounds like a tube stack amp with
a well-defined midrange.
Of
f. Turns DIST off.