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49
Creating a patch (Patch mode)
Patch Mode
Patch categories
On the RS-50, a patch you edit can be named and saved in the
desired category of sounds (
User Patch
). Saving an edited patch in
the appropriate category will make it easier for you to find the patch
when needed. This will also let you use arpeggiator settings that are
appropriate for your user patch.
fig.r03-03_40
Convenient functions for patch
editing (Patch Utility)
Patch Utility provides various functions that you will find
convenient when editing patches, such as copying or initializing a
patch.
Copying patch parameters
(PATCH PRM COPY)
The settings of any patch can be copied to the currently selected
patch. By making good use of this function, you can edit more
efficiently. The following five parameters can be copied.
• UPPER TONE: Copy the settings of the upper tone.
• LOWER TONE: Copy the settings of the lower tone.
• MFX: Copy the multi-effect settings.
• CHORUS: Copy the chorus settings.
• REVERB: Copy the reverb settings.
Copying the UPPER TONE or LOWER TONE
1.
Press [PATCH] so it is lit and you are in Patch mode.
Select the copy-destination patch.
2.
Press [UTILITY].
3.
Use PAGE/CURSOR [ ]/[ ] to select “1:PATCH PRM
COPY.”
4.
Press [ENTER].
5.
Use VALUE [-]/[+] to select “UPPER TONE” or “LOWER
TONE.”
fig.r03-08_40
6.
Press PAGE/CURSOR [ ].
Use VALUE [-]/[+] to select the copy-source patch.
fig.r03-09_40
7.
Press PAGE/CURSOR [ ].
Use VALUE [-]/[+] to specify whether the data is to be copied to
the upper tone or the lower tone of the currently selected patch.
fig.r03-10_40
8.
Press [ENTER].
The upper tone or lower tone settings will be copied to the
currently selected patch.
When the data has been copied, the display will indicate
“COMPLETED.” This ends the procedure.
Category
Group
Category Contents
PIANO (Pf)
PNO AC.PIANO Acoustic Piano
EP EL.PIANO Electric Piano
KBD &
ORGAN
(Ky)
KEY KEYBOARDS Other Keyboards
(Clav, Harpsichord, etc.)
BEL BELL Bell, Bell Pad
MLT MALLET Mallet
ORG ORGAN Electric and Church Or-
gan
ACD ACCORDION Accordion
HRM HARMONICA Harmonica, Blues Harp
GUITAR
(Gt)
AGT AC.GUITAR Acoustic Guitar
EGT EL.GUITAR Electric Guitar
DGT DIST.GUITAR Distortion Guitar
ORCH (Oc) STR STRINGS Strings
ORC ORCHESTRA Orchestra Ensemble
HIT HIT&STAB Orchestra Hit, Hit
WND WIND Winds (Oboe, Clarinet,
etc.)
FLT FLUTE Flute, Piccolo
WORLD
(Wr)
PLK PLUCKED Plucked (Harp, etc.)
ETH ETHNIC Other Ethnic
FRT FRETTED Fretted Inst (Mandolin,
etc.)
BRASS (Br) BRS AC.BRASS Acoustic Brass
SBR SYNTH.BRASS Synth Brass
SAX SAX Sax
VOCAL &
PAD (Vo)
BPD BRIGHT PAD Bright Pad Synth
SPD SOFT PAD Soft Pad Synth
VOX VOX Vox, Choir
SYNTH
(Sy)
HLD HARD LEAD Hard Synth Lead
SLD SOFT LEAD Soft Synth Lead
TEK TECHNO SYNTH Techno Synth
PLS PULSATING Pulsating Synth
FX SYNTH FX Synth FX (Noise, etc.)
SYN OTHER SYNTH Poly Synth
BASS (Bs) BS BASS Acoustic & Electric Bass
SBS SYNTH.BASS Synth Bass
RHYTHM
& SFX (Rh)
DRM DRUMS Rhythm Set
PRC PERCUSSION Percussion
SFX SOUND FX Sound FX
BTS BEAT&GROOVE Beat and Groove
CMB COMBINATION Other Patches
Category
RS-50_e3.book 49 ページ ２００３年１１月７日 金曜日 午後７時１分