Internal Design of the CP5 & CP50
Reference
Left & Right Parts
[VOICE]
[PRE-AMP]
[MOD-FX]
[PWR-AMP] (CP5 only)
[LEFT1]/[LEFT2]/[RIGHT1]/
[RIGHT2] (CP5)
[LEFT]/[RIGHT] (CP50)
[COMMON]
Song Setting Area
[SONG SETTING]
[RECORD]
TRACK Part
[TRACK]
MIC INPUT Part
[MIC INPUT] (CP5 only)
Settings for All Parts
[REVERB]
Settings for All Performances
[MASTER COMPRESSOR]
[UTILITY]
[FILE]
Appendix
21 CP5/CP50 Reference Manual
E
EQ Mid Width This parameter is used to set the width of the mid-frequency EQ band.
EQ Width This parameter is used to set the width of the mid-frequency EQ band.
ER/Rev Balance This parameter is used to set the relative volumes of early reflections and reverberation.
F F/R Depth This parameter is used to set the front-to-rear pan depth (and has an effect only when
Pan Direction is set to “Lturn” or “Rturn”).
FB Hi Damp Ofst R This parameter is used to set the decay level for right-channel high frequencies as an
offset.
FB Level Ofst R This parameter is used to set the right-channel feedback level as an offset.
Feedback High
Damp
This parameter is used to set the rate of decay for feedback high frequencies (with
smaller values representing faster decay speeds).
Feedback Level Reverb effects and Early Reflections: This parameter is used to set the feedback level
for the initial delay sound.
Delay effects, Chorus effects, Flanger effects, Tech effects, and Compression-Distortion-
Delay: This parameter is used to set how much of the delay sound is fed back into the
effect’s input (with negative values indicating that its phase is inverted).
Tempo Phaser and Dynamic Phaser: This parameter is used to set how much of the
phaser output is fed back into the effect’s input (with negative values indicating that its
phase is inverted).
Feedback Level 1, 2 These parameters are used to set the feedback level for the first and second delay
sounds.
Feedback Time This parameter is used to set the feedback delay time.
Feedback Time 1,
2, L, R
These parameters are used to set the delay time for feedback delay 1, feedback delay
2, the left feedback delay, and the right feedback delay.
Filter Type Lo-Fi: This parameter is used to select a tonal characteristic.
Dynamic Filter: This parameter is used to select a filter type.
Fine 1, 2 These parameters are used to fine tune the first and second pitch settings.
H Height This parameter is used to set the height of the simulated room.
High Attack This parameter is used to set the amount of time that elapses before compression is fully
applied in the high-frequency band.
High Gain This parameter is used to set the output level of the high-frequency band.
High Level This parameter is used to set the high-frequency level.
High Mute This parameter is used to activate and deactivate high-frequency muting.
High Ratio REV-X Hall and REV-X Room: This parameter is used to adjust the high-frequency com-
ponent.
Multiband Compressor: This parameter is used to set the compression ratio for the high-
frequency band.
High Threshold This parameter is used to set the input-signal level at which the compressor starts to
process the sound in the high-frequency band.
Horn Speed Fast This parameter is used to set the speed of rotation of the high-frequency horn at the
“fast” setting.
Horn Speed SLow This parameter is used to set the speed of rotation of the high-frequency horn at the
“slow” setting.
I Initial Delay This parameter is used to set the amount of time that elapses before early reflections are
produced.
Initial Delay 1, 2 These parameters are used to set the amount of time that elapses before the first and
second early reflections are produced.
Initial Delay Lch,
Rch
These parameters are used to set the amount of time that elapses before the left and
right early reflections are produced.
Input Mode This parameter is used to switch between mono and stereo input.
Input Select This parameter is used to select an input channel.
On-screen name
(and full name)
Description