Filter
Top Products
ùÙÙÂÍÚ˚
36
■ íËÔ˚ ˝ÙÙÂÍÚÓ‚
● íËÔ˚ ‚·‡ˆËË
● íËÔ˚ DSP
çÓÏ íËÔ Â‚Â·Â‡ˆËË ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ
1 Hall 1 Hall1 ê‚·‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
2 Hall 2 Hall1
3 Room 1 Room1 ê‚·‡ˆËfl χÎÂ̸ÍÓÈ ÒÚÛ‰ËË.
4 Room 2 Room2
5 Stage 1 Stage1 ê‚·‡ˆËfl ‰Îfl ÒÓθÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.
6 Stage 2 Stage2
7 Plate 1 Plate1 àÏËÚ‡ÚÓ Â‚Â·Â‡ˆËË ÒڇθÌÓÈ Ô·ÒÚËÌ˚.
8 Plate 2 Plate2
9 Ç˚ÍÎ. Ç˚ÍÎ. çË͇ÍÓ„Ó ˝ÙÙÂÍÚ‡.
çÓÏ íËÔ DSP ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ
1 Hall 1 Hall1 ê‚·‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
2 Hall 2 Hall2
3 Room 1 Room1 ê‚·‡ˆËfl χÎÂ̸ÍÓÈ ÒÚÛ‰ËË.
4 Room 2 Room2
5 Stage 1 Stage1 ê‚·‡ˆËfl ‰Îfl ÒÓθÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.
6 Stage 2 Stage2
7 Plate 1 Plate1 àÏËÚ‡ÚÓ Â‚Â·Â‡ˆËË ÒڇθÌÓÈ Ô·ÒÚËÌ˚.
8 Plate 2 Plate2
9 Early Reflection 1 ER1 íÓθÍÓ ‡ÌÌË ÓÚ‡ÊÂÌËfl.
10 Early Reflection 2 ER2
11 Gate Reverb Gate1 ùÙÙÂÍÚ ÒÚÓ·ËÛÂÏÓÈ Â‚Â·Â‡ˆËË, ÔË ÍÓÚÓÓÏ Â‚Â·Â‡ˆËfl ·˚ÒÚÓ ÔÂ˚‚‡ÂÚÒfl ‰Îfl
ÒÔˆˇθÌ˚ı ˝ÙÙÂÍÚÓ‚.
12 Reverse Gate Gate2 ëıÓ‰ÂÌ Ò ˝ÙÙÂÍÚÓÏ Gate Reverb, ÌÓ Ò Ó·‡ÚÌ˚Ï Û‚Â΢ÂÌËÂÏ.
13 Chorus 1 Chorus1 퇉ˈËÓÌÌ˚È ÔÓÎËÙÓÌ˘ÂÒÍËÈ ˝ÙÙÂÍÚ Ò Ì‡Ò˚˘ÂÌÌ˚Ï ÚÂÔÎ˚Ï Á‚ÛÍÓÏ.
14 Chorus 2 Chorus2
15 Flanger 1 Flanger1 óÂÚ͇fl ÚÂıÙ‡ÁÓ‚‡fl ÏÓ‰ÛÎflˆËfl Ò ÌÂÏÌÓ„Ó ÏÂÚ‡Î΢ÂÒÍËÏ Á‚ÛÍÓÏ.
16 Flanger 2 Flanger2
17 Symphonic Symphony óÂÁ‚˚˜‡ÈÌÓ Ì‡Ò˚˘ÂÌÌ˚È Ë „ÎÛ·ÓÍËÈ ÔÓÎËÙÓÌ˘ÂÒÍËÈ Á‚ÛÍ.
18 Phaser Phaser óÂÚ͇fl ÏÂÚ‡Î΢ÂÒ͇fl ÏÓ‰ÛÎflˆËfl Ò ÔÂËӉ˘ÂÒÍÓÈ ÒÏÂÌÓÈ Ù‡Á˚.
19 Rotary Speaker 1 Rotary1 àÏËÚ‡ÚÓ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇.
20 Rotary Speaker 2 Rotary2
21 Tremolo 1 Tremolo1 ÅÓ„‡Ú˚È ˝ÙÙÂÍÚ Tremolo Ò ÏÓ‰ÛÎflˆËÂÈ Í‡Í ÔÓ „ÓÏÍÓÒÚË, Ú‡Í Ë ÔÓ ‚˚ÒÓÚÂ.
22 Tremolo 2 Tremolo2
23 Guitar Tremolo Guitar Tremolo àÏËÚ‡ÚÓ ÚÂÏÓÎÓ ˝ÎÂÍÚÓ„ËÚ‡˚.
24 Auto Pan AutoPan çÂÒÍÓθÍÓ ˝ÙÙÂÍÚÓ‚ Ô‡ÌÓ‡ÏÌÓ„Ó Á‚Û˜‡ÌËfl, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÏÂÌfl˛Ú ÔÓÁËˆË˛
Á‚Û͇ (΂‡fl, Ô‡‚‡fl, ÙÓÌڇθ̇fl, Á‡‰Ìflfl).
25 Auto Wah AutoWah èÓ‚ÚÓÂÌË ÙËθڇ ‡ÒÔÓÒÚ‡ÌÂÌËfl ‚‡Û-˝ÙÙÂÍÚ‡.
26 Delay Left - Center - Right DelayLCR íË ÌÂÁ‡‚ËÒËÏ˚ı Á‡‰ÂÊÍË ‰Îfl ΂ÓÈ, ˆÂÌڇθÌÓÈ Ë Ô‡‚ÓÈ Ó·Î‡ÒÚÂÈ ÒÚÂÂÓÔ‡ÌÓ‡Ï˚.
27 Delay Left - Right DelayLR 燘‡Î¸Ì‡fl Á‡‰ÂÊ͇ ‰Îfl Í‡Ê‰Ó„Ó ÒÚÂÂÓ͇̇· Ë ‰‚ ÓÚ‰ÂθÌ˚ Á‡‰ÂÊÍË Ó·‡ÚÌÓÈ
Ò‚flÁË.
28 Echo Echo ᇉÂÊ͇ ÒÚÂÂÓ Ò ÌÂÁ‡‚ËÒËÏ˚ÏË Ô‡‡ÏÂÚ‡ÏË ÛÓ‚Ìfl Ó·‡ÚÌÓÈ Ò‚flÁË ‰Îfl ͇ʉӄÓ
͇̇·.
29 Cross Delay CrossDly ëÎÓÊÌ˚È ˝ÙÙÂÍÚ, ÍÓÚÓ˚È ÔÓÒ˚·ÂÚ Á‡‰ÂʇÌÌ˚ ÔÓ‚ÚÓ˚, «Ô˚„‡˛˘Ë» ÏÂÊ‰Û Î‚˚Ï
Ë Ô‡‚˚Ï Í‡Ì‡Î‡ÏË.
30 Karaoke Karaoke ÉÎÛ·ÓÍËÈ, ˜ÂÚÍËÈ ˝ÙÙÂÍÚ ˝ıÓ.
31 Distortion Hard D Hard ÜÂÒÚÍËÈ ÚÂÔÎ˚È ‰ËÒÚÓ¯Ì.
32 Distortion Soft D Soft åfl„ÍËÈ ÚÂÔÎ˚È ‰ËÒÚÓ¯Ì.
33 Overdrive Overdrv ÖÒÚÂÒÚ‚ÂÌÌ˚È ‰ËÒÚÓ¯Ì, Í‡Í ‚ ÛÒËÎËÚÂÎÂ.
34 Amp Simulation AmpSimu ÍÚÂÌ˚È Á‚ÛÍ „ËÚ‡ÌÓ„Ó ÛÒËÎËÚÂÎfl/‰Ë̇ÏË͇.
35 EQ Disco EQ Disco ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁ‡, ÍÓÚÓ˚È ÔÓ‚˚¯‡ÂÚ Ë ‚˚ÒÓÍËÂ, Ë ÌËÁÍË ˜‡ÒÚÓÚ˚, ˜ÚÓ ÚËÔ˘ÌÓ ‰Îfl
·Óθ¯ËÌÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ ‚ ÒÚËΠ‰ËÒÍÓ.
36 EQ Telephone EQ Tel ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁ‡, ÍÓÚÓ˚È ÒÂÁ‡ÂÚ Í‡Í ‚˚ÒÓÍËÂ, Ú‡Í Ë ÌËÁÍË ˜‡ÒÚÓÚ˚ ‰Îfl ËÏËÚ‡ˆËË
Á‚ÛÍÓ‚ ‚ ÚÂÎÂÙÓÌÌÓÈ ÚÛ·ÍÂ.
37 3Band EQ 3BandEQ ùÍ‚‡Î‡ÈÁÂ Ò ÚÂÏfl ÓÚ‰ÂθÌ˚ÏË ÔÓÎÓÒ‡ÏË ˜‡ÒÚÓÚ.
38 2Band EQ 2BandEQ ùÍ‚‡Î‡ÈÁÂ Ò ‰‚ÛÏfl ÓÚ‰ÂθÌ˚ÏË ÔÓÎÓÒ‡ÏË ˜‡ÒÚÓÚ.
39 ÅÂÁ ˝ÙÙÂÍÚ‡. Ç˚ÍÎ. ÅÂÁ ˝ÙÙÂÍÚ‡.