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45. AMBIENCE MIC GAIN CONTROL: This control sets the amount of ambient sound from the room that
goes to the Record and Remote outputs. It can be set by listening to the headphone output on the recorder.
46. EFFECTS SEND: An unbalanced output of the dry signal that is also sent to the internal effects processor. It
can be used to drive an external effects unit or as an additional monitor output (Monitor 3). If used as an
additional output, be sure to mute the internal effects processor
47. AUX OUTPUT: A TRS balanced output from the Aux level control. It has a mono version of the record
output signal with an independent level adjustment.
48. L/R TRIM: This control is an attenuator on the main L/R outputs. It is provided to match the nominal
operating levels of the mixer to the power amplifier inputs. It is a stereo control that adjusts both the left and
right together.
49. MONITOR OUT (XLR and 1⁄4"): 1⁄4" unbalanced and XLR balanced outputs of the monitor mix designed
to feed an external monitor amplifier (Pin 2 is positive). The output level (nominal +4 dBu) is set by the
individual channel, monitor-send controls and by the master monitor fader.
50. MAIN OUTPUTS (XLR and 1⁄4"): 1⁄4" unbalanced and XLR balanced outputs of the Left and Right mixes.
The output level is set by the master Left and Right faders. The nominal levels are +4 dBu.
51. AC MAINS INPUT: Connect the line cord to this connector to provide power to the unit. Damage to the
equipment may result if improper line voltage is used. Operate only with the specified AC input voltage
applied.
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