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MASTER FUNCTIONS
The MASTER FUNCTIONS section describes those features that are considered master controls.
Essentially, this makes up all of the functions on the right-hand, front panel side of your XR 800F.
The areas of detail include; Effects, EQ/FLS and Monitor/Master Level Controls.
12. EFFECTS PEAK LED:
Illuminates to indicate -6 dB of headroom before the signals being sent to the effects circuit
are clipped. Ideally, you would want this LED to light only occasionally if at all. An occasional
blink indicates that you have the levels at an optimum setting. It is advisable to listen carefully
to the output at the same time in order to determine the final setting. If you hear distortion
then one or more of the input digital effects level controls are set too high.
13. PRESET: Selects the effect preset from the list below.
EFX Presets
PRESET NAME TIME/SIZE COLOR/TONE
1 Chamber Time: 150 to 5,000 ms Damping (High Frequency)
2 Plate Time: 100 to 4,000 ms Damping (High Frequency)
3 Room Time: 150 to 5,000 ms Damping (High Frequency)
4 Cathedral Time: 100 to 8,000 ms Damping (High Frequency)
5 Spring Time: 150 to 5,000 ms Damping (High Frequency)
6 Gate Time: 150 to 500 ms Damping (High Frequency)
7 Reverse Time: 150 to 500 ms Damping (High Frequency)
8 Delay + Reverb Time: 0 to 225 ms Reverb Time: 0 to 5,000 ms
9 Bright Delay Time: 0 to 500 ms Feedback: 0 to 99%
10 Warm Delay Time: 0 to 500 ms Feedback: 0 to 99%
11 Dark Delay Time: 0 to 500 ms Feedback: 0 to 99%
12 Ping Pong Delay Time: 0 to 500 ms Feedback: 0 to 99%
13 Chorus Rate: 0.125 to 8 Hz Depth: Best Set Full CW
14 Phaser Rate: 0.250 to 16 Hz Depth: Best Set Full CW
15 Flange Rate: 0.10 to 2.5 Hz Depth: Best Set Full CW
16 Rotary Speaker High Speed: 0.50 to 25 Hz Width: 0 to 100% CW
14. TIME/SIZE:
In Reverb and Delay presets (presets 1-12), this control adjusts the time of the particular
reverb or delay; in Chorus, Phaser, and Flange, it adjusts the rate of each. In Rotary Speaker
setting, this adjusts the speed of the speaker rotation.
15. COLOR/TONE:
Adjusts the high frequency content of the effects signal. (While using a delay, this control
adjusts the feedback or depth.)
16. EFX to MON:
Controls the amount of effects signal sent to the monitor mix. This control allows effects to be
heard from the stage via the monitor.
17. EFX to MAIN: Controls the amount of effects signal sent to the main mix.
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13 14 15 16 17
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