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04: Overdrive/Hi-Gain
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04: Overdrive/Hi-Gain
This distortion effect utilizes an Overdrive mode and a Hi-Gain mode. Controlling the 4-band EQ will
allow you to create versatile distortion sounds. This effect is suitable for guitar and organ sounds.
a Mode Overdrive, Hi-Gain Switches between overdrive and hi-gain distortions.
bDrive 0…100 Sets the degree of distortion.
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c Output Level 0…50 Sets the output level.
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d Pre Low-cut 0…10
Amount of cut in low range at the distortion input.
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e
Band1 Cutoff [Hz] 20…1.0kHz Center frequency of EQ band 1
Q 0.5…10.0 Band 1 bandwidth
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Gain [dB] –18…+18dB Band 1 gain
f
Band2 Cutoff [Hz] 50…5.00kHz Band 2 center frequency
Q 0.5…10.0 Band 2 bandwidth
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Gain [dB] –18…+18dB Band 2 gain
g
Band3 Cutoff [Hz] 300…10.00kHz Band 3 center frequency
Q 0.5…10.0 Band 3 bandwidth
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Gain [dB] –18…+18dB Band 3 gain
h
Band4 Cutoff [Hz] 500…20.00kHz Band 4 center frequency
Q 0.5…10.0 Band 4 bandwidth
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Gain [dB] –18…+18dB Band 4 gain
i Direct Mix 0…50 Mix amount of dry sound routed to Distortion
j
Wet/Dry Dry, 1:99…99:1, Wet Sets the balance between the effect and dry sounds.
Src None…Tempo Modulation source of effect balance
Amt –100…+100 Modulation amount of effect balance
b: Drive
c: Output Level
The degree of distortion is determined by the level of input signal and the set-
ting of Drive. Raising the Drive setting will cause the entire volume level to
increase. Use the Output Level parameter to adjust the volume level. The Out-
put Level parameter uses the signal level input to the 4-Band EQ. If clipping
occurs at the 4-Band EQ, adjust the Output Level parameter.
d: Pre Low-cut
Cutting the signal in the low range before it is input to the Distortion will create
a sharp distortion.
e: Q
f: Q
g: Q
h: Q
These parameters set the bandwidth of each band filter. The higher the value,
the narrower the band becomes.
In
Wet / Dry
Mono In - Mono Out
4 Band PEQ
Output Level
Direct Mix
Pre Low-cut
Mode: Overdrive / Hi-Gain
Drive
Driver