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6
QUICK START
INSERT INSERT INSERT INSERT INSERT INSERT INSERT
MIC 20
TAPE OUTTAPE IN
TALK BACK
MIC
R
R
R
(MONO)
4
L
L
L
3
2
1
L
CONTROL ROOM OUTMAIN INSERTS
3
3
4
2
3
1
1
LL
R
RR
L
24
23 21
22
20
MIC 19
19
LINE IN
(BAL OR UNBAL)
LINE IN
(BAL OR UNBAL)
LINE IN
(BAL OR UNBAL)
LINE IN
(BAL OR UNBAL)
LINE IN
(BAL OR UNBAL)
LINE IN
(BAL OR UNBAL)
LINE IN
(BAL OR UNBAL)
MIC 18
18
MIC 17
17
MIC 16
16
MIC 15
15
MIC 14
14
RIGHT
MAIN OUT
LEFT
MAIN OUT
MONO
MAIN OUT
OUTPUT
LEVEL
PHONES
2
PHONES
1
OFF
POWER
ON
OFF
PHANTOM
ON
MONO MONO
PIN 2 = HOT
PIN 3 = COLD
FUSE INSIDE
120VAC
50/60 HZ 60W
1.6A/250V SLO BLO
CAUTION:
TO REDUCE
THE RISK OF FIRE, REPLACE
WITH THE SAME TYPE FUSE
AND RATING
OO
+6
MAIN
BALANCED
OUTPUTS
R
R
L
L
AUX SENDS
(BAL OR UNBAL)
STEREO AUX RETURNS
(BAL OR UNBAL)
SUB INSERTS
(BAL OR UNBAL)
6
2
5
14
R
R
L
R
L
7
8
6
5
SUB OUTS
(BAL OR UNBAL)
4
2
MAIN OUTS
(BAL OR UNBAL)
(BAL OR UNBAL)
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
Output Level
Fully Down
Power
Off
Phantom
Off
ZERO THE CONSOLE
Note: the numbers in brackets refer to the
numbers inside each switch and control in the
drawing on the next page.
1. On the rear panel, turn the POWER switch
and the PHANTOM off, and the OUTPUT
LEVEL fully down.
2. Disengage these switches (for pushbutton
switches, “disengaged” or “off” refers to the
“up” position):
PRE (27)
LOW CUT (34)
SOLO (39)
1-2 & 3-4 (40)
SOLO (47)
ASSIGN TO SUB (50)
SUB (51)
SOLO (52)
SOLO (57)
L/R ASSIGN (59)
MAIN MIX (67)
AUX 1-2 (68)
TAPE RETURN TO PHONES/C-R (69)
TAPE RETURN TO MAIN MIX (71)
3. Engage these switches (for pushbutton
switches, “engaged” or “on” refers to the
“down” position):
MUTE (38)
L-R (41)
MODE (63)
When we say engaged, this does not imply
that you should become betrothed in any
legally binding sense, although there is
probably some drive-in wedding chapel in
‘Vegas, where this can be arranged.
4. Set these controls fully down (for
rotary controls, “down” refers to the
fully counter-clockwise position; for
faders, it refers to all the way down):
TRIM (25)
AUX (26)
TO AUX SEND 1-2 (49)
TAPE RETURN (53)
AIR (56)
CHANNEL FADER (42)
SUBGROUP FADER (60)
MAIN MIX FADER (72)
5. Set these controls at unity (for rotary
controls, “unity” refers to the center
detent position.
HI (28)
MID (29)
FREQ (30)
HI MID (31)
LOW MID (32)
LOW (33)
PAN (37)
AUX SEND MASTERS (46)
STEREO AUX RETURNS (48)
PAN (58)
SOLO LEVEL (62)
TALKBACK LEVEL (66)
PHONES/C-R LEVEL (70)
Switch
Up
Switch
Down
Control
Fully Down
30
OO
40
50
60
Fader
Down
Control
Centered