Neumann.Berlin Digital Microphones For High Resolution Audio Microphone User Manual


 
SCHNEIDER DIGITAL MICROPHONES FOR HIGH RESOLUTION AUDIO
AES 31st International Conference, London, UK, 2007 June 25–27
6
they are bound to find wide spread use. As the signal is
transformed with a high-quality AD conversion to the
digital domain, it is now also possible to obtain high-
quality recordings with comparatively inexpensive,
semi-professional recording equipment, if it does allow
24 bit word length, with the chosen sample rate. Digital
microphones will make the job of the studio or location
sound engineer simpler, reducing the probability of
errors, thus keeping his mind free to concentrate on the
acoustical and artistic aspects of the recording.
REFERENCES
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www.milab.com
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[9] AES42 standard for acoustics – “Digital interface
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[10] Peus S, Kern O, “The digitally interfaced
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[11] Microtech Gefell, Brochure: “MV230 digital -
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[12] Schoeps (2006), Brochure: “CMD series”,
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www.neumann.com
[14] Funke R, “Untersuchungen an Mikrofonen mit
digitaler Schnittstelle auf ihre Einsatztauglichkeit
in Rundfunkproduktionen“, Dipl.Arbeit, Fach-
hochschule Deggendorf, to be published (2007)
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(1997)
[16] Schneider M, “Eigenrauschen und Dynamik-
umfang von Mikrophon und Aufnahmekette“,
20. Tonmeistertagung, Karlsruhe (1998)
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sample rate converter with 120 dB THD+N
supporting sample rates up to 192 kHz”, preprint
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[21] Fielder LD, “The audibility of modulation noise
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