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Contents
Main Features ..........................1
Panel Descriptions ....................3
Front Panel ..........................................3
Rear Panel...........................................5
Installing Batteries....................6
Making the Connections ...........7
Mono Output Connection.....................8
Stereo Output Connection ...................9
Connecting to SEND/RETURN..........10
With Guitar Amps ......................... 10
Connecting to an MTR or Mixer
... 11
Operating the RE-20 ...............12
Basic Operation .................................12
Adjusting the Input Volume ........ 13
Switching the Echo and Reverb
Variations........................................ 13
Adjusting the Volume of the Echo
Sound............................................... 13
Adjusting the Echo Interval ......... 13
Adjusting the Volume of the Echo’s
Repeat.............................................. 13
Adjusting the Tone of the Echo
(BASS, TREBLE)............................. 13
Adjusting the Volume of the Reverb
Sound............................................... 13
Setting the Delay Time with the TAP
Pedal (Tap Delay Time).....................14
Applying the Twist Effect with the TAP
Pedal..................................................14
Switching the Repeat Rate and Delay
Time Mode.........................................15
Control Using an Expression Pedal ...16
Setting the Function of the
Expression Pedal............................ 17
About the Variation Mode...... 18
About the Playback Heads ........... 18
About the Roland SPACE ECHO
RE-201................................... 19
Troubleshooting..................... 20
Sample Settings ..................... 21
Main Specifications ................ 22
About the Roland SPACE ECHO RE-201
The Roland SPACE ECHO RE-201 tape echo
debuted in 1974. Even today, with the machine
no longer in production, it remains a world-
famous device that is still widely acclaimed.
The sound of the RE-201, especially the
pleasing chorus effect created by the subtle
wavering from the movement of the tape—
and the characteristic compressed sound
that results from magnetic saturation of the
tape—continues to intrigue numerous
musicians.
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