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and instant acceleration again. Since speaker diaphragms are subject to the laws of physics, they will not take
this kind of punishment for long: the diaphragm will either break up or its voice coil may overheat.
In addition to the damage caused by sustained overload, the speaker may also be damaged by an occasional
high level overload, e.g. the sound of a microphone falling onto a hard floor. Even if this type of transient does
not destroy a speaker outright, it may damage the speaker surround in such a way, as to cause mechanical
abrasion and future failure. It is recommended that you use the Behringer AUTOCOM PRO in order to protect
the speaker. Brick Wall peak limiters are not normally necessary for PA systems, as amplifiers and loud-
speakers are tolerant of short signal peaks.
Nevertheless, conventional limiters have to be generally driven far beyond the headroom limit of an amplifier, in
order to limit the level and length of the transients responsible for overloading the system. The disadvantage of
this principle is that the units full range cannot be completely used. If an increase in the average level of up to
3 dB is attained with the AUTOCOM PRO as a Limiter, this means that you effectively double the power
amplification. The AUTOCOM PRO can act in this way to convert a PA system of 5,000 Watts into a distortion
free 10,000 Watts system. The following instructions will help you to integrate the unit into your system.
6.2.1 Protection Of A System With A Passive Crossover
If your sound system incorporates a passive crossover network (included in the loudspeaker case), insert the
Behringer AUTOCOM PRO between your mixing console output and the power amplifier input. It is used as the
last link in the chain preceding the power amp. Thus, you can effectively avoid the technical knockout of the
midrange/tweeter range caused by high-energy bass signals! This statement, as paradox as it may seem at
first, can be explained with the fact that especially low-frequency signals with high amplitudes can overload the
power supplies in the amplifier(s). The resulting clipping (cutting off of signal peaks) produces high-energy
distortion (upper harmonics), which is abruptly added to the midrange/tweeter signals. For this reason, weak
power amps, in particular, must be protected by a limiter in their input dynamics.
6.2.2 Protection Of A System With An Active Crossover
For systems using active crossovers, there are two ways to use the Behringer AUTOCOM PRO. The unit may
be inserted between the console output and the crossover input. In this application, the Behringer AUTOCOM
PRO will process the entire audio frequency spectrum.
Alternately, the Behringer AUTOCOM PRO can be inserted between the output of an active crossover and the
input of a power amplifier. In this application it will only affect a specific range of frequencies. This application
is particularly suited to protect the most fragile components of a multi-way speaker system against harmful
signal peaks. For example, when your tweeters keep on going up in smoke all the time, the entire system
should be operated at lower sound pressure levels or the tweeters should be replaced by other models. Using
the AUTOCOM PRO in the corresponding tweeter band avoids overloading and thus damage to the speakers.
6.2.3 Improving The Sound Of A Processor System
A processor system is understood as a PA system which contains a special active crossover whose outputs
are linked via separated power amplifiers to the loudspeakers. Each band has its own limiter whose task it is
to limit dangerous signal peaks to a certain level. This process avoids overloading the subsequent power
amplifier or destruction of the loudspeaker.
In some units, the crossover frequencies in the crossover unit are further changed during high signal levels to
achieve a loudness contour suited to the human hearing. But in many cases, this function leads more to a
disturbance than to an improvement of the sound quality.
If the AUTOCOM PRO is preceding this system, the signal peaks can be eliminated before they reach the
limiters of the processing system. The sound quality therefore remains natural and free of side effects caused
by the changing frequencies of the crossover.
6.3 The AUTOCOM PRO In Broadcast
The main aim of processing sound recordings for commercial radio and television is to achieve a maximum
transmission volume at all costs. Owners of these radio and television stations strive to get bigger audience
6.SPECIAL APPLICATIONS