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14
L
MONO
L
MONO
L
MONO
L
MONO
LINE IN 7
–
8
RR
R
R
LINE IN 9
–
10
LINE IN 11
–
12
LINE IN 13
–
14
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
LINE IN 3
LINE IN 4
L
R
1
2
1
2
RIGHT
AUX SEND
STEREO AUX RETURN
MAIN OUT
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
LINE IN 1
LINE IN 2
MIC
1
MIC
2
MIC
3
MIC
4
LEFT/
MONO
BAL/UNBAL
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
BAL
OR
UNBAL
ALL BAL/UNBAL
MIC
5
MIC
6
TRIM
TRIM TRIM TRIM
TRIM
TRIM
LEVEL
+4
-10 -10 -10 -10
LEVEL
+4
LEVEL
+4
LEVEL
+4
TRIM
TAPE
INPUT
TAPE
OUTPUT
L
R
M
I
C
G
A
I
N
+15dB
-45dB
-
1
0
d
B
V
060
M
I
C
G
A
I
N
+15dB
-45dB
-
1
0
d
B
V
060
M
I
C
G
A
I
N
+15dB
-45dB
-
1
0
d
B
V
060
M
I
C
G
A
I
N
+15dB
-45dB
-
1
0
d
B
V
060
M
I
C
G
A
I
N
+15dB
-45dB
-
1
0
d
B
V
060
M
I
C
G
A
I
N
+15dB
-45dB
-
1
0
d
B
V
060
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
U U U
U
U U
TAPE IN
These RCA jacks are designed to work with
semi-pro as well as pro recorders. To compen-
sate for typically low levels, signals coming in
here will be automatically boosted by 6dB.
Connect your tape recorder’s outputs here,
using standard hi-fi (RCA) cables. To learn how
signals are routed from these inputs, see
.
TIPSLEEVETIPSLEEVE
Use these jacks for convenient tape play-
back of your mixes. You’ll be able to review a
mix, and then rewind and try another pass,
without repatching or disturbing the mixer
levels. You can also use these jacks with a por-
table tape or CD player to feed music to a PA
system between sets.
WARNING: Pushing
TAPE
in the
SOURCE
matrix and
ASSIGN TO
MAIN MIX
can create a
feedback path between
TAPE IN
and
TAPE OUT
. Make sure your
tape deck is not in record, record-pause or
input monitor mode when you engage these
switches, or make sure the
CTL ROOM /
SUBMIX
fader is fully down (off).
Pin 1 = Ground
Pin 2 = Positive (+ or hot)
Pin 3 = Negative (– or cold)
Outputs? The 1402-VLZ
PRO has plenty of
’em: XLR
MAIN
,
1
⁄
4
"
MAIN
,
TAPE
,
PHONES
,
CONTROL ROOM
and
AUX SENDS
. Let’s
take a peek.
XLR MAIN OUTPUTS
These low-impedance outputs are fully bal-
anced and capable of driving +4dBu lines with
up to 28dB of headroom. This output is 6dB
hotter than other outputs. To learn how sig-
nals are routed to these outputs:
.
To use these outputs, wire the XLR (bal-
anced only) connectors like this:
2
2
3
1
1
SHIELD
COLD
HOT
SHIELD
COLD
HOT
3
SHIELD
COLD
HOT
3
2
1