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Input and Output Jacks:
35. MIC INPUT: XLR balanced input optimized for a microphone or other low impedance source. Pin 2 is the
positive input. Because of the wide range of gain adjustment, signal levels up to +22dBu can be
accommodated.
36. LINE INPUT:
1
⁄4” balanced (TRS) 10K ohm impedance input. The tip is the positive input, which should be
used for unbalanced inputs. It has 20 dB less gain than the XLR input and does not have phantom power
available. The Mic and Line inputs should not be used simultaneously.
37. STEREO INPUTS: Channel 11/12 and 13/14 are stereo channels with both RCA and
1
⁄4” inputs. The RCA
and
1
⁄4”jacks in each channel are wired in parallel and can’t be used simultaneously.
INPUTS & OUTPUTS
38. EFFECTS SEND: An unbalanced output of the dry signal that is also sent to the internal effects processor.
It can be used to drive an external effects unit or as an additional monitor output (Monitor3). If used as an
additional output, be sure to mute the internal effects processor.
39. AUX OUTPUT: A TRS balanced output from the Aux level control. It has a mono version of the record
output signal with an independent level adjustment.
40. L/R TRIM: (S-14 Only) This control is an attenuator on the main L/R outputs. It is provided to match the
nominal operating levels of the mixer to the power amplifier inputs. It is a stereo control that adjusts both
the left and right together.
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