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MIDI Implementation
● Type17: STEREO-DELAY
———————+————————————————————————————————+———————————————————————
prm1 | Feedback Mode | 0 - 1
prm2 | Delay Time Left | 0 - 126
prm3 | Delay Time Right | 0 - 126
prm4 | Feedback Phase Left | 0 - 1
prm5 | Feedback Phase Right | 0 - 1
prm6 | Feedback Level | 0 - 98
prm7 | HF Damp | 0 - 17
prm8 | Low Gain | 0 - 30
prm9 | High Gain | 0 - 30
prm10 | Effect Balance | 0 - 100
prm11 | Output Level | 0 - 127
● Type18: MODULATION-DELAY
———————+————————————————————————————————+———————————————————————
prm1 | Feedback Mode | 0 - 1
prm2 | Delay Time Left | 0 - 126
prm3 | Delay Time Right | 0 - 126
prm4 | Feedback Level | 0 - 98
prm5 | HF Damp | 0 - 17
prm6 | Rate | 0 - 125
prm7 | Depth | 0 - 127
prm8 | Phase | 0 - 90
prm9 | Low Gain | 0 - 30
prm10 | High Gain | 0 - 30
prm11 | Effect Balance | 0 - 100
prm12 | Output Level | 0 - 127
● Type19: TRIPLE-TAP-DELAY
———————+————————————————————————————————+———————————————————————
prm1 | Delay Time Left | 0 - 125
prm2 | Delay Time Right | 0 - 125
prm3 | Delay Time Center | 0 - 125
prm4 | Feedback Level | 0 - 98
prm5 | HF Damp | 0 - 17
prm6 | Left Level | 0 - 127
prm7 | Right Level | 0 - 127
prm8 | Center Level | 0 - 127
prm9 | Low Gain | 0 - 30
prm10 | High Gain | 0 - 30
prm11 | Effect Balance | 0 - 100
prm12 | Output Level | 0 - 127
● Type20: QUADRUPLE-TAP-DELAY
———————+————————————————————————————————+———————————————————————
prm1 | Delay Time 1 | 0 - 125
prm2 | Delay Time 2 | 0 - 125
prm3 | Delay Time 3 | 0 - 125
prm4 | Delay Time 4 | 0 - 125
prm5 | Level 1 | 0 - 127
prm6 | Level 2 | 0 - 127
prm7 | Level 3 | 0 - 127
prm8 | Level 4 | 0 - 127
prm9 | Feedback Level | 0 - 98
prm10 | HF Damp | 0 - 17
prm11 | Effect Balance | 0 - 100
prm12 | Output Level | 0 - 127
● Type21: TIME-CONTROL-DELAY
———————+————————————————————————————————+———————————————————————
prm1 | Delay Time | 0 - 120
prm2 | Feedback Level | 0 - 98
prm3 | Acceleration | 0 - 15
prm4 | HF Damp | 0 - 17
prm5 | Output Pan | 0 - 127
prm6 | Low Gain | 0 - 30
prm7 | High Gain | 0 - 30
prm8 | Effect Balance | 0 - 100
prm9 | Output Level | 0 - 127
● Type22: 2VOICE-PITCH-SHIFTER
———————+————————————————————————————————+———————————————————————
prm1 | Pitch Shifter Mode | 0 - 4
prm2 | Coarse Pitch A | 0 - 36
prm3 | Coarse Pitch B | 0 - 36
prm4 | Fine Pitch A | 0 - 100
prm5 | Fine Pitch B | 0 - 100
prm6 | Pre Delay Time A | 0 - 126
prm7 | Pre Delay Time B | 0 - 126
prm8 | Output Pan A | 0 - 127
prm9 | Output Pan B | 0 - 127
prm10 | Level Balance | 0 - 100
prm11 | Effect Balance | 0 - 100
prm12 | Output Level | 0 - 127
● Type23: FBK-PITCH-SHIFTER
———————+————————————————————————————————+———————————————————————
prm1 | Pitch Shifter Mode | 0 - 4
prm2 | Coarse Pitch | 0 - 36
prm3 | Fine Pitch | 0 - 100
prm4 | Pre Delay Time | 0 - 126
prm5 | Feedback Level | 0 - 98
prm6 | Output Pan | 0 - 127
prm7 | Low Gain | 0 - 30
prm8 | High Gain | 0 - 30
prm9 | Effect Balance | 0 - 100
prm10 | Output Level | 0 - 127
● Type24: REVERB
———————+————————————————————————————————+———————————————————————
prm1 | Reverb Type | 0 - 5
prm2 | Pre Delay Time | 0 - 125
prm3 | Gate Time | 0 - 127
prm4 | HF Damp | 0 - 17
prm5 | Low Gain | 0 - 30
prm6 | High Gain | 0 - 30
prm7 | Effect Balance | 0 - 100
prm8 | Output Level | 0 - 127
● Type25: GATE-REVERB
———————+————————————————————————————————+———————————————————————
prm1 | Gate-Reverb Type | 0 - 3
prm2 | Pre Delay Time | 0 - 125
prm3 | Gate Time | 0 - 99
prm4 | Low Gain | 0 - 30
prm5 | High Gain | 0 - 30
prm6 | Effect Balance | 0 - 100
prm7 | Output Level | 0 - 127
● Type26: OVERDRIVE→CHORUS (serial)
———————+————————————————————————————————+———————————————————————
prm1 | Drive | 0 - 127
prm2 | Over Drive Pan | 0 - 127
prm3 | Chorus Pre Delay Time | 0 - 125
prm4 | Chorus Rate | 0 - 125
prm5 | Chorus Depth | 0 - 127
prm6 | (not used) |
prm7 | Chorus Balance | 0 - 100
prm8 | Output Level | 0 - 127
● Type27: OVERDRIVE→FLANGER (serial)
———————+————————————————————————————————+———————————————————————
prm1 | Drive | 0 - 127
prm2 | Over Drive Pan | 0 - 127
prm3 | Flanger Pre Delay Time | 0 - 125
prm4 | Flanger Rate | 0 - 125
prm5 | Flanger Depth | 0 - 127
prm6 | Flanger Feedback Level | 0 - 98
prm7 | Flanger Balance | 0 - 100
prm8 | Output Level | 0 - 127
● Type28: OVERDRIVE→DELAY (serial)
———————+————————————————————————————————+———————————————————————
prm1 | Drive | 0 - 127
prm2 | Over Drive Pan | 0 - 127
prm3 | Delay Time | 0 - 126
prm4 | Delay Feedback Level | 0 - 98
prm5 | Delay HF Damp | 0 - 17
prm6 | Delay Balance | 0 - 100
prm7 | Output Level | 0 - 127
● Type29: DISTORTION→CHORUS (serial)
———————+————————————————————————————————+———————————————————————
prm1 | Distortion Drive | 0 - 127
prm2 | Distortion Pan | 0 - 127
prm3 | Chorus Pre Delay Time | 0 - 125
prm4 | Chorus Rate | 0 - 125
prm5 | Chorus Depth | 0 - 127
prm6 | (not used) |
prm7 | Chorus Balance | 0 - 100
prm8 | Output Level | 0 - 127
● Type30: DISTORTION→FLANGER (serial)
———————+————————————————————————————————+———————————————————————
prm1 | Distortion Drive | 0 - 127
prm2 | Distortion Pan | 0 - 127
prm3 | Flanger Pre Delay Time | 0 - 125
prm4 | Flanger Rate | 0 - 125
prm5 | Flanger Depth | 0 - 127
prm6 | Flanger Feedback Level | 0 - 98
prm7 | Flanger Balance | 0 - 100
prm8 | Output Level | 0 - 127
● Type31: DISTORTION→DELAY (serial)
———————+————————————————————————————————+———————————————————————
prm1 | Distortion Drive | 0 - 127
prm2 | Distortion Pan | 0 - 127
prm3 | Delay Time | 0 - 126
prm4 | Delay Feedback Level | 0 - 98
prm5 | Delay HF Damp | 0 - 17
prm6 | Delay Balance | 0 - 100
prm7 | Output Level | 0 - 127
● Type32: ENHANCER→CHORUS (serial)
———————+————————————————————————————————+———————————————————————
prm1 | Enhancer Sens | 0 - 127
prm2 | Enhancer Mix Level | 0 - 127
prm3 | Chorus Pre Delay Time | 0 - 125
prm4 | Chorus Rate | 0 - 125
prm5 | Chorus Depth | 0 - 127
prm6 | (not used) |
prm7 | Chorus Balance | 0 - 100
prm8 | Output Level | 0 - 127