Yamaha DGX-500 Electronic Keyboard User Manual


 
109
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+/-, ÍÌÓÔÍË ....................................25
D
DEMO, ÍÌÓÔ͇ ..............................14
Dictionary........................................50
DISK ORCHESTRA ......................73
DSP .................................................34
Dual Voice DSP ..............................27
Dual Voice Octave...........................27
Dual Voice Reverb...........................27
Dual Voice Select ............................27
Dual Voice Volume .........................27
F
Fingered, ‡ÍÍÓ‰˚..........................47
Footswitch .......................................11
G
GM System Level 1 .........................83
Grade...............................................72
H
Harmony..........................................35
HARMONY, ÍÌÓÔ͇......................35
I
Initial Setup Send ............................87
L
Lesson..............................................67
M
M.D.B..............................................53
Main Voice DSP..............................27
Main Voice Reverb ..........................27
Main Voice Volume.........................27
MIDI ...............................................83
MIDI LSB Receive Cancel .............88
MIDI-‡Á˙ÂÏ˚ ...............................84
MIDI-͇̇Î˚.................................84
Multi Fingering................................47
MUSIC DATABASE ......................53
é
Overall, ÍÌÓÔÍË ..............................20
P
PHONES/OUTPUT.........................9
Pitch Bend .......................................31
Portable Grand ................................22
R
RECORD, ÍÌÓÔ͇..........................62
S
Song Clear .......................................65
SONG MEMORY ..........................63
STYLE FILE ...................................73
SUSTAIN........................................11
Sync Start.........................................40
Sync Stop.........................................43
T
Tap .................................................. 40
Tempo............................................. 60
Touch Sensitivity............................. 32
TOUCH, ÍÌÓÔ͇ ........................... 32
Track Octave ................................... 76
Transpose ........................................ 29
Tuning............................................. 29
Ä
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ...................... 38
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Split Point... 49
‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇............ 10
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ‚Íβ˜ÂÌËÂ......... 39
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ˜‡ÒÚË.................. 45
‡ÍÍÓ‰˚, Fingered ......................... 47
‡ÍÍÓ‰˚, ÓÔËÒ‡ÌË ....................... 51
‡ÍÍÓ‰˚, Single Finger .................. 47
Å
·‡ÌÍ ................................................ 55
·‡Ú‡ÂË ........................................... 10
·˚ÒÚ‡fl Á‡„ÛÁ͇ ̇ÒÚÓÂÍ........... 28
Ç
‚‚‰ÂÌËÂ......................................... 41
‚‚Ó‰ ÚÂÏÔ‡...................................... 40
‚̯Ìflfl ÒËÌıÓÌËÁ‡ˆËfl.............. 88
‚ÒÚ‡‚͇............................................ 45
‚˚ÒÓÚ‡ Á‚Û͇ .................................. 29
É
„ÌÂÁ‰‡ ‰Îfl ÔË̇‰ÎÂÊÌÓÒÚÂÈ....... 11
„ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ......... 46
Ñ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË............ 14
‰ËÒÔÎÂÈ ‰ÓÎÂÈ ............................... 57
‰ÓÓÊ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............ 63
‰ÓÓÊ͇ ÔÂÒÌË............................... 63
‰ÓÓÊ͇, ÔË„ÎÛ¯ÂÌËÂ................. 63
á
Á‡ÔËÒ¸ ÔÂÒÂÌ .................................. 62
à
ËÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ .............. 31
Ë̉Ë͇ÚÓ ...................................... 20
Ë̉Ë͇ÚÓ˚ ‰ÓÎÂÈ......................... 57
ËÌˈˇÎËÁ‡ˆËfl ............................. 90
ä
ÍÓ̈ӂ͇........................................ 39
å
ÏÂÚÓÌÓÏ ....................................... 22
ç
̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚........................ 52
̇ۯÌËÍË....................................... 11
O
Ó·ÁÓ ...............................................12
ÓÍÚ‡‚‡ ‰ÓÓÊÍË.............................. 76
ÓˆÂÌ͇.............................................72
è
Ô‰‡Î¸ .............................................11
ÔÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl.......................62
ÔÂÒÌË, ‚˚·Ó Ë Ë„‡...................... 57
ÔÂÒÌfl, „ÓÏÍÓÒÚ¸ ...........................61
ÔÂÒÌfl, Á‡ÔËÒ¸ ................................. 62
ÔÂÒÌfl, Û‰‡ÎÂÌË .............................65
Ô˛ÔËÚ ...........................................21
ê
‡Á‰ÂÎÂÌË ÚÂÏ·Ó‚.......................28
‚Â·Â‡ˆËfl .................................33
„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ..............55
C
Ò·Ó͇ ÔÓ‰ÒÚ‡‚ÍË (DGX-500) ....105
cÔËÒÓÍ ÚÂÏ·Ó‚..............................91
ÒÔËÒÓÍ ÚÂÏ·Ó‚ DJ ........................97
Òڇ̉‡Ú XG, ÚÂÏ·˚ ....................92
ÒÚËÎË, ‚˚·Ó ..................................38
ÒÛÒÚÂÈÌ ...........................................11
í
Ú‡·Îˈ‡ ‡ÎËÁ‡ˆËË MIDI..........102
Ú‡·Îˈ‡ ÚÂÏ·Ó‚ Û‰‡Ì˚ı........... 100
ÚÂÏ·, ‚˚·Ó Ë Ë„‡ ......................24
ÚÂÏ·˚ ‚ Òڇ̉‡Ú XG.................92
ÚÂÏ·˚, ̇·Ó˚ Û‰‡Ì˚ı............100
ÚÂÏÔ ÔÂÒÌË .....................................60
ÚÂÏÔ ÒÚËÎfl......................................44
ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË .....108
ÚËÔ ‡ÍÍÓ‰‡.................................... 52
ÚËÔ˚ DSP .......................................36
ÚËÔ˚ Harmony................................37
ÚËÔ˚ ‚Â·Â‡ˆËË ....................... 36
ÚÓÌË͇............................................. 51
ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ......49
Ú‡ÌÒÔÓÌËÓ‚‡ÌË ........................29
ì
Û‰‡ÎÂÌË ÔÂÒÌË.............................. 65
ÛÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ..................89
ñ
ˆËÙÓ‚‡fl Í·‚ˇÚÛ‡.................... 25
ó
˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.................. 45
˜‡ÒÚÓÚ‡ Ò˄̇· ÏÂÚÓÌÓχ.......... 23
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯.............32
ù
˝ÙÙÂÍÚ˚ .........................................33
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