Filter
Top Products
15
DE-10 Owner’s Manual
• VOCAL MULTI
V. MULTI-1 (Normal Vocal) : Light compression and reverberation applied only to the high frequency range.
V. MULTI-2 (Doubling Vocal) : Light compression and moderate short delay. Suitable for adding the brightness to a dull vocal.
V. MULTI-3 (Diffusion Vocal) : Designed for adding a chorus effect to a center positioned vocal.
V. MULTI-4 (Distortion Vocal) : Distorted vocal sound for standing out the vocal.
V. MULTI-5 (Flange Distortion Vocal) : Distorted vocal sound with adding a moderate flanging effect. A unique sound can be generated.
V. MULTI-6 (Radio Voice) : Typical "radio voice". Simulates a radio sound with its characteristic compression.
V. MULTI-7 (Small Radio Voice) : Simulate a smaller radio than V. MULTI-6.
V. MULTI-8 (Flange Voice) : A special voice that can be used as an effect voice.
<V. MULTI-1, 2, 3, 6>
* [EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Modulation Level.
* [EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Reverb/Delay Level.
* [EFFECT 2_MIX] knob (PARAM.3): Adjust the Gate Threshold.
<V. MULTI-4, 5, 7, 8>
* [EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Distortion Gain.
* [EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output.
* [EFFECT 2_MIX] knob (PARAM.3): Adjust the Gate Threshold.
<NOTE>
When using any one of VOCAL MULTI settings above and no input signal is fed, you may hear an input noise. This is
due to the character of the effects. In such a case, you can reduce the noise by setting the gate to "on" (by PARAM 3).
V. MULTI-9 (Line Select 1) : Input 1 routes to Output 1/L, while Input 2 routes to Output 1/R.
V. MULTI-10 (Line Select 2) : Input 1 routes to Output 2/L, while Input 2 routes to Output 2/R.
V. MULTI-11 (Mute) : No signal is output from Output 1/2.
* Parameter Settings: Non.
• BASS MULTI
B. MULTI-1 (Normal Bass) : Normal bass sound with compression tuned for a bass.
B. MULTI-2 (Slap Bass) : Slap bass sound with compression and natural modulation.
B. MULTI-3 (Fretless Bass) : Deeply moderated bass sound.
B. MULTI-4 (Distortion Bass 1) : Slightly distorted bass sound which stands out in the orchestra sound.
B. MULTI-5 (Distortion Bass 2) : More distorted sound than B. MULTI-4, resulting in more distinct sound.
B. MULTI-6 (Distortion Bass 3) : Distorted sound with moderate flanging effect.
B. MULTI-7 (Ambience Bass Solo 1) : Natural bass sound. Suitable for a bass solo.
B. MULTI-8 (Ambience Bass Solo 2) : Distorted sound with natural feeling.
B. MULTI-9 (Flange Bass 1) : Moderate flanged bass sound.
B. MULTI-10 (Flange Bass 2) : Deep flanged bass sound.
B. MULTI-11 (Chorus Bass) : Rich and spacious bass sound by adding a chorus effect. Recommended to be used with a
reverb.
<B. MULTI-1, 2, 3, 7, 9, 10, 11>
* [EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Modulation Level.
* [EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Reverb/Delay Level.
* [EFFECT 2_MIX] knob (PARAM.3): Adjust the Gate Threshold.
<B. MULTI-4, 5, 6, 8>
* [EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Distortion Gain.
* [EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output.
* [EFFECT 2_MIX] knob (PARAM.3): Adjust the Gate Threshold.
<NOTE>
When using any one of BASS MULTI settings above and no input signal is fed, you may hear an input noise. This is due
to the character of the effects. In such a case, you can reduce the noise by setting the gate to "on" (by PARAM 3).
OUTPUT 1 (L)
OUTPUT 1 (R)
Delay/Reverb
Chorus
or
Flanger
GateDistortion
Compressor
INPUT 1
OUTPUT 1 (L)
OUTPUT 1 (R)
Delay/Reverb
Chorus
or
Flanger
GateDistortion
Compressor
INPUT 1