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7
DE-10 Owner’s Manual
• CHORUS
CHORUS 1 (Natural Chorus) : Conventional chorus with fairly shallow depth, suitable for any sound. Adds a natural
spaciousness and depth without changing the character of the original sound.
CHORUS 2 (Deep Chorus) : Chorus with greater depth. Suitable when you want to aggressively modify the sound of an
electric piano, etc.
CHORUS 3 (Doubling Chorus) : Conventional chorus, plus a doubling effect created by a short delay.
CHORUS 4 (Mono Chorus) : Light chorus panned to center. Adds natural depth and warmth to vocals or sax, etc.
CHORUS 5 (Mono Doubling Chorus) : The effect of CHORUS 4 plus a doubling effect created by a short delay.
CHORUS 6 (Mono Deep Chorus) : Deep chorus panned to center. Effective for adding body to a center-panned instrument such as
bass.
CHORUS 7 (Mono Deep Doubling Chorus) : The effect of CHORUS 6 plus a doubling effect created by a short delay.
CHORUS 8 (Hi-Freq Chorus) : Chorus applied only to the high-frequency range.
CHORUS 9 (Lo-Freq Chorus) : Chorus applied only to the low-frequency range.
CHORUS 10 (Mono Delay Chorus) : Pitch chorus that adds depth to the sound by slightly shifting the pitch.
CHORUS 11 (L-R Delay Chorus) : Pitch chorus panned to the center.
* [ADJUST] knob: Adjust the depth of the chorus.
• FLANGE
FLANGE 1 (Dual Flange) : Dual flanging in which two effect sounds with different modulation phase are heard from left
and right. Deep feedback.
FLANGE 2 (Dual Flange Lo-Feedback) : Dual flanging. Light feedback.
FLANGE 3 (Dual Flange No-Feedback) : Dual flanging. Almost no feedback.
FLANGE 4 (Lo-Freq Flange) : Flanging with modulation in the low-frequency component. Deep feedback.
FLANGE 5 (Double Width Flange Lo-Feedback) : Flanging with modulation in the low-frequency component. light feedback.
FLANGE 6 (Hi-Freq Flange) : Flanging applied only to the high-frequency range.
FLANGE 7 (Lo-Freq Flange) : Flanging applied only to the low-frequency range.
FLANGE 8 (Mono Dual Flange) : Two types of flanging heard from the center. Deep feedback.
FLANGE 9 (Mono Dual Flange Lo-Feedback) : Two types of flanging heard from the center. Light feedback.
FLANGE 10 (Mono Single Flange) : One effect heard from the center. Deep feedback.
FLANGE 11 (Mono Single Flange Lo-Feedback) : One effect heard from the center. Light feedback.
* [ADJUST] knob: Adjust the modulation speed of the flanging.
• PITCH
PITCH 1—3 (Pitch +/- 1oct.) : Pitch shift with a variable range of +/-1 octave. (No pitch shift when ADJUST = 0.)
Select one of three variations: PITCH 1 is normal, PITCH 2 has faster response, and PITCH 3
is clearest.
PITCH 4—6 (Pitch Shift Up) : Pitch shift with a variable range of 0— +2 octaves. (+1 octave when ADJUST = 0.)
Select one of three variations: PITCH 4 is normal, PITCH 5 has faster response, and PITCH 6
is clearest.
PITCH 7—9 (Pitch Shift Down) : Pitch shift with a variable range of -2—0 octaves. (-1 octave when ADJUST = 0.)
Select one of three variations: PITCH 7 is normal, PITCH 8 has faster response, and PITCH 9
is clearest.
PITCH 10 (Pitch Delay) : Pitch shift with delayed feedback. Offsetting the pitch will produce interesting results.
PITCH 11 (SFX Pitch) : Pitch shift that produces a strange effect like a simulation of a space alien. We recommend that
you set ADJUST to 0.
* [ADJUST] knob: Adjust the amount of pitch change. +/-1 octave.
• MISC (Miscellaneous)
MISC 1 (Random E/R) : Random early reflections. When applied to instruments with a slow attack, this produces a
natural feeling of air and space.
MISC 2 (Soft Random E/R) : Random early reflections. Less high range than MISC 1, so suitable for backing tracks.
MISC 3 (Tight Random E/R) : Random early reflections with only high-frequency components.
MISC 4 (Long E/R) : Miraculous ambience that could not exist in the real world, with early reflections that continue
without being covered by reverberant components.
MISC 5 (Short E/R) : Random early reflections at close spacing appear all at once. Effective for giving natural
spaciousness to pad-type sounds.
MISC 6 (Large Hall E/R) : Early reflections of a large hall.
MISC 7 (Soft Large Hall E/R) : Early reflections of a large hall. Gentler sound than MISC 4.
MISC 8 (Small Hall E/R) : Early reflections of a small hall.
MISC 9 (Soft Small Hall E/R) : Early reflections of a small hall. Gentler sound than MISC 6.
MISC 10 (Reverse E/R) : Early reflections of reverse reverb. Effective on vocal or brass section.
MISC 11 (Gate Reverb) : Gated early reflection with a crisp cutoff.
* [ADJUST] knob: Adjust the size of the room.
OUTPUT (L)
OUTPUT (R)
MISC
INPUT
OUTPUT (L)
OUTPUT (R)
CHORUS
INPUT
OUTPUT (L)
OUTPUT (R)
PITCH
INPUT
OUTPUT (L)
OUTPUT (R)
FLANGE
INPUT