Yamaha EMX 2000 Musical Instrument User Manual


 
14
EMX2000—Owner’s Manual
Example setups
This section provides some ways in which the EMX2000 can be used, and explains connections and operation.
As a band PA
Here is an example of using the EMX2000 as a small PA for a band. In this example, the monitor speakers are
being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is
also being used.
Connections
• Connect mics or instruments, such as keyboards,
to channel input jacks 1~8.
• Connect the main speakers to the SPEAKERS R
1/2 jacks, and connect the monitor speakers to
the SPEAKERS L 1/2 jacks. Set the Power amp
select switch to “MONI 1-MONO.”
• If you use an external effect such as delay or
reverb, connect the EMX2000’s EFFECT jack to
the input jack of the external effect, and connect
the output jack of the external effect to the
EMX2000’s ST SUB 1.
Note: If you are using an external effect, we
recommend that you turn down all the EF-
FECT controls of the digital effect section.
You can connect the output of an external ef-
fect to channels 9/10 and 11/12 to apply the
equalizer to the effect return signal. However
in this case, make sure that the EFFECT con-
trols are turned all the way down for the chan-
nels into which the effect sound is being input.
If the EFFECT controls are raised, feedback
will occur, and your speakers may be damaged.
100
PEAK
+8
+5
+3
+1
0
1
3
5
7
10
15
20
GRAPHIC EQUALIZER
DIGITAL EFFECT
6
0
6
MAXMINPROGRAM
PHANTOM
(+48V)
PHONES/C.R.OUT
100
ST 2
100
ST
MONO BRIDGE
POWER AMPTAPE IN
LIMITER
LR
MONO
+4dB
FOOT SW
MONIMONI
(MONO)
PAMP
IN
2
EFFECT
+4dB
PHONES/
C-R OUT
(+4dB)
LEVEL
L/BRIDGE
ST L
MONI 1
ST R
MONO
100
ST
100
ON
PFL
PFL
11/12
PFL
PFL
AFL AFL
MONI 2
10
10
9
7
8
11
12
13
14
15
16
2
3
4
5
6
1
0
MONI 1
100
MONI 1
34+10
GAIN
100
MONI 2
100
ST
100
MONI 1
100
MONI 2
100
ST
100
MONI 1
100
MONI 2
EFFECT
BAL
100
R
L
ON
OFF
ON
AFLAFLAFL
VOCAL ECHO 1
VOCAL ECHO 2
VOCAL ECHO 3
VOCAL ECHO 4
VOCAL REVERB 1
VOCAL REVERB 2
VOCAL REVERB 3
VOCAL REVERB 4
HALL 1
HALL 2
HALL 3
ROOM
PLATE 1
PLATE 2
PLATE 3
GATE REVERB
+1515
HIGH
PEAKPEAKPEAK
+1515
MID
+1515
LOW
34+10
GAIN
60
16
9/10
PFL
34+10
GAIN
100
MONI 1
100
MONI 2
EFFECT
BAL
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
8
PFL
100
MONI 1
100
MONI 2
EFFECT
PAN
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
34+10
GAIN
60
16
7
PFL
100
MONI 1
100
MONI 2
EFFECT
PAN
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
34+10
GAIN
60
16
6
PFL
100
MONI 1
100
MONI 2
EFFECT
PAN
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
34+10
GAIN
60
16
5
PFL
100
MONI 1
100
MONI 2
EFFECT
PAN
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
34+10
GAIN
60
16
4
PFL
100
MONI 1
100
MONI 2
EFFECT
PAN
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
34+10
GAIN
60
16
3
PFL
100
MONI 1
100
MONI 2
EFFECT
PAN
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
34+10
GAIN
60
16
2
PFL
100
MONI 1
100
MONI 2
EFFECT
PAN
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
34+10
GAIN
60
16
1
87654321
PFL
100
MONI 1
100
MONI 2
EFFECT
PAN
100
R
L
+1515
HIGH
+1515
MID
+1515
LOW
A
A
R
ST 1
L
RR
R
ST 2
1
L
L
R
L
TAPE
R
L
L
ST
SUB 2
(MONO)
L
R
ST
SUB 1
(MONO)
11 L
12 R
11/12
A
A
B
B
B
B
INSERT I/O
OUT IN
0dB
(MONO)
9 L
9 L
10 R
11 L
12 R
10 R
LINELINELINELINELINE
INS
I/O
INS
I/O
INS
I/O
INS
I/O
LINELINELINE
MIC MIC MIC MIC MIC MIC MIC MIC
INPUT OUTPUT
9/10
EEEngine
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
A
B
A
B
8k4k2k1k500250125
POWER
ST1
LR
ST SUB 1
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST SUB 2
MONI 1 MONOST 1EFFECTMONI 2
PEAK
PEAKPEAKPEAKPEAKPEAKPEAK
+12
12
6
0
6
+12
12
+4dB+4dB+4dB BRIDGE
+4dB
+4dB
+4dB
Main speakers
Monitor speakers
SPEAKERS jacksL 1 L 2 R 1 R 2
Keyboard
Guitar
Bass guitar
D.I.* D.I.*
Microphone
Effect processor
MONO BRIDGE
ST L
MONI 1
ST R
MONO
88
* Direct box,
effect unit,
pre-amp, etc.
+4+18 +4+18