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MGP16X/MGP12X Owner’s Manual
28
Appendix
Digital Effect Program List
FX1 REV-X (REV-X algorithm)
FX2 SPX (SPX algorithm)
* “LFO” stands for Low Frequency Oscillator. An LFO is normally used to modulate another signal, determining the modulation speed and
waveform shape.
No. Program Parameter Variable range Description
1 HALL Reverb Time 0.3 s – 10.0 s Reverb simulating a large space such as a hall.
2 WARM HALL Reverb Time 0.3 s – 10.0 s Warm reverb simulating a hall.
3 BRIGHT HALL Reverb Time 0.3 s – 10.0 s Bright reverb simulating a hall.
4 PLATE 1 Reverb Time 0.3 s – 10.0 s Reverb simulating a metal-plate. Suitable for vocals.
5 PLATE 2 Reverb Time 0.3 s – 10.0 s Reverb simulating a metal-plate. Suitable for snare drum sound.
6 ROOM Reverb Time 0.3 s – 3.2 s Reverb simulating the acoustics of a small space (room).
7 WARM ROOM Reverb Time 0.3 s – 3.2 s Warm reverb simulating the acoustics of a small space (room).
8 SLAP ROOM Reverb Time 0.3 s – 3.2 s Reverb simulating a slap echo of a small space (room).
No. Program Parameter Variable range Description
1 HALL Reverb Time 0.3 s – 10.0 s Reverb simulating a large space such as a hall.
2 ROOM Reverb Time 0.3 s – 3.2 s Reverb simulating the acoustics of a small space (room).
3 PLATE Reverb Time 0.3 s – 10.0 s Reverb simulating a metal-plate, producing a more hard-edged sound.
4 LARGE STAGE Reverb Time 0.3 s – 10.0 s Reverb simulating a large stage.
5 SMALL STAGE Reverb Time 0.3 s – 10.0 s Reverb simulating a small stage.
6 VOCAL ECHO Delay Time 30.0 ms – 743.0 ms Echo suitable for vocals.
7 KARAOKE ECHO Delay Time 40.0 ms – 265.0 ms Echo suitable for karaoke.
8DELAY
Delay Time 20.0 ms – 743.0 ms
Feedback delay adding multiple delayed signals.
Delay Time
(when input-
ting Tap)
200 ms – 743.0 ms
80 BPM – 300 BPM
9SINGLE DELAY
Delay Time 0 ms – 743.0 ms
Mono delay adding a delayed signal.
Delay Time
(when input-
ting Tap)
200 ms – 743.0 ms
80 BPM – 300 BPM
10 EARLY REF. Room Size 0.1 – 10.0
Early reflections without the subsequent reverb.
Applies a more elaborate effect than conventional reverb.
11 CHORUS LFO Freq 0 Hz – 39.7 Hz Creates a thick sound by modulating the delay time.
12 PHASER LFO Freq 0 Hz – 8.08 Hz Phase modulation produces a cyclical phasing effect.
13 FLANGER LFO Freq 0 Hz – 8.08 Hz Creates a tone with pitched effect.
14 SYMPHONIC LFO Depth 0 – 127 Creates a thick sound by multiplexing the sound.
15 DOUBLER Pitch Change -63 – +63 Creates an illusion of two people singing the same phrase.
16 RADIO VOICE Cutoff Offset 0 – 127
Reproduces a lo-fi feel in the style of the AM radio. Adjust the parame-
ter to change the frequency range to be emphasized.