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11. SYNTH
This models a bass synth. An algorithm unique to ToneWorks is used to simulate
an analog synthesizer sound with a smoothly tracking envelope filter.
HINT: This effect is designed for single-note playing. The sound may be muddy if
you play a chord.
HINT: The sound may be distorted depending on your settings and on how this
effect is combined with other effects. If so, you should lower the DRIVE/AMP [VOL-
UME] or the [PROG LVL] settings.
HINT: If you want to produce the overtone structure typical of a synthesizer, it is
sometimes best to turn off the CABINET model.
D. MOD (MODULATION) EFFECTS
Here you can select one of 11 modulation-type effects.
*: This indicates a parameter that you can control from the expression pedal.
1. CLASSIC CHORUS (CL CHORS)
This models a famous chorus unit with two modes; chorus and vibrato.
[1] “DPTH/POL” -10.0–10.0 Adjusts the depth of the envelope filter (left
half is negative motion, right half is positive
motion).
[2] “ATTACK ” 0.0–10.0 * Adjusts the attack of the envelope filter.
[3] “WAVE” 0.0–10.0 * Synth waveform.
The available choices model a variety from
an ordinary sawtooth waveform to a sawtooth
waveform one octave below.
[4] “RESO” 0.0–10.0 * Adjusts the resonance of the envelope filter.
[5] “MIX” 0.0–10.0 * Adjusts the mix balance between the original
sound and the synth sound.
[1] “DEPTH” 0.0–10.0 * Adjusts the modulation depth.
[2] “SPEED” 0.1–10.0[Hz] * Adjusts the modulation speed.
[3] “MANUAL” 1.0–10.0 * Adjusts the center frequency of the sweep.
If DEPTH is set to 10, MANUAL will not func-
tion.
[5] “MODE” Selects the output mode.
1: Mono output.
2: Stereo mode in which the effect is panned
right, and the dry sound panned left.
3: Vibrato mode, in which only the effected
sound is output. Setting MANUAL to 10 will
minimize the delay of the output.