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4. MOD DELAY (MOD DLY)
This models Korg’s first digital delay, the SDD-3000. You can also use this to produce
chorus or flanger-like effects by setting a short TIME and using the LFO to modulate it.
5. SWEEP DELAY (SWEEP DL)
This also models the SDD-3000. Here you can use the envelope of your bass sig-
nal to control the DELAY TIME, and by setting a short TIME and raising the FEED-
BACK you can produce a distinctive flanger effect. Even with conventional settings
of TIME, you can produce unique effects that would not be possible with an LFO.
6. 2TAP DELAY (2TAP DLY)
This is a multi-tap delay that models the Korg DL8000R digital multi-tap delay unit.
Two delays with differing delay times are assigned to L and R, turning a mono
input into stereo. This can also be used as a ping-pong delay.
[1] “TIME” 3–2700[ms] * Sets the delay time.
[2] “FEEDBACK” 0.0–10.0 * Adjusts the amount of feedback.
[3] “TONE” 1.0–10.0 * Adjusts the tone of the delay.
[4] “SPEED” 0.1–10[Hz] * Adjusts the modulation speed.
[5] “MIX” 0.0–10.0 * Adjusts the mix amount of the delay.
[1] “TIME” 26–2700[ms] * Sets the delay time.
[2] “FEEDBACK” 0.0–10.0 * Adjusts the amount of feedback.
[3] “TONE” 1.0–10.0 * Adjusts the tone of the delay.
[4] “SENS” 0.0–10.0 * Adjusts the sensitivity at which the effect
responds to the volume of your bass.
[5] “MIX” 0.0–10.0 * Adjusts the mix amount of the delay.
[1] “TIME” 1–2700[ms] Sets the delay time.
[2] “FEEDBACK” 0.0–10.0 * Adjusts the amount of feedback.
[3] “TONE” 1.0–10.0 * Adjusts the tone of the delay.
[4] “TAP TIME” 0.0–10.0 Specifies the right delay time as a proportion of
the left delay time.
[5] “MIX” 0.0–10.0 * Adjusts the mix amount of the delay.