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Appendix > Sounds
68
Appendix
Sounds
Var. Name CC 0 CC32 PC* Osc. Description
PIANO 1
1 GrandPiano**
121 0 0 4 Samples recorded from a gorgeous-sounding concert grand piano. It also includes
four dynamic levels, sustain samples, and key-off samples, plus other EPx effects. Per-
fect for classical compositions as well as any other style that requires an accurate
acoustic piano sound.
2 BriteGrand**
121 0 1 4 As the above, but slightly more open-sounding.
3 Rock Piano
121 1 1 2 Bright, spacious and clean piano. Excellent for pop or rock music.
4 Piano&Str.
121 2 0 4 A mix of warm piano and full, lush strings.
PIANO 2
1 Honky-Tonk
121 0 3 2 Classic, detuned saloon-piano.
2 MelloGrand**
121 1 0 4 Warm, slightly dark-sounding piano. Mostly good for classical music.
3 Piano&Pad
121 3 0 4 A mix of warm piano and warm, synthetic pads.
4 Elec.Grand
121 0 2 2 An electronic piano sound, typical of the late 70s. Extremely dynamic, with varying
timbre according to keyboard dynamics. Good for pop and funky music.
5 M1 Piano
121 1 2 2 The classic, ringing sound of the Korg M1 sampled piano, so often heard in pop music
during the late 80s.
E. PIANO 1
1 Tine EP 1
121 0 4 4 The most classic electric piano using hammer-struck metallic tines. It is extremely
dynamic, producing a soft tone when played lightly, or an aggressive tone when
played hard.
2 SuitTineEP
121 1 4 2 As the above, but warmer and with the addition of a phaser effect.
3 DynoTineEP
121 2 4 2 This electric piano has a very wide dynamic range, and is particularly suited to funky
music.
4 Tine EP 2
121 4 4 2 As Tine EP1, but with a tremolo effect.
E. PIANO 2
1 Dig. EP 1
121 0 5 2 An electronic piano sound created by means of the FM synthesis, extremely popular
during the mid 80s. Wide dynamic range. It is particularly suited to pop music of the
age.
2 Dig. EP 2
121 1 5 2 As the above, but slightly brighter.
3 Reed EP
121 3 4 1 An electric piano sound, often heard in pop music.
4 TremReedEP
121 5 4 1 As the above, but with a tremolo effect.
HARPSI/CLAV
1 Harpsi 8
121 0 6 3 This is the classic instrument for baroque music. Harpsichord uses plucked strings, so
there is no touch response.
2 Harpsi 16
121 1 6 4 As the above, but with the addition of a register one octave lower.
3 Clav
121 0 7 2 The clavinet sound. This is often heard in funk and soul music. The leftmost pedal is
used to trigger glide down.
4 Synth Clav
121 1 7 3 A synth-generated clavinet sound. The leftmost pedal is used to trigger glide down.
VIBES/GUITAR
1 Vibes 1
121 0 11 2 A sampled orchestral vibraphone with a great dynamic range.
2 Vibes 2
121 1 11 2 As the above, but with no tremolo.
3 Nylon Gtr.
121 0 24 2 A gorgeous, full-sounding nylon-strings guitar. The leftmost pedal is used to trigger
glide down.
C720_English.fm Page 68 Tuesday, October 10, 2006 4:14 PM