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<DRB1394>
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11. TRIM adjust dial
Use to adjust the input level for each channel. (adjustable
range: –∞ to +9 dB, mid-position is about 0 dB)
12. Channel equalizer high-range adjust dial (HI)
Use to adjust the treble (high-range) frequency sound for each
channel. (adjustable range: –26 dB to +6 dB)
13. Channel equalizer mid-range adjust dial (MID)
Use to adjust the mid-range frequency sound for each
channel. (adjustable range: –26 dB to +6 dB)
14. Channel equalizer low-range adjust dial (LOW)
Use to adjust the bass (low-range) frequency sound for each
channel. (adjustable range: –26 dB to +6 dB)
15. Channel level indicator
Displays the current level for each channel, with two-second
peak hold.
16. Headphone CUE buttons/indicators
These buttons are used to select from channel 1 to 4,
MASTER, or effector, to allow you to monitor the desired
source through headphones. If multiple buttons are pressed
simultaneously, the selected audio sources are mixed. Press
the button once more to cancel the selected source.
Unselected buttons glow darkly, while selected source
buttons light brightly.
Fader control section
17. Fader start button/indicator (FADER START 1 to 4)
Enables the fader start/back cue function for the channel to
which a DJ CD player is connected. The button lights when set
to ON. When enabled, the operation differs depending on the
setting of the CROSS FADER ASSIGN switch.
¶
When the CROSS FADER ASSIGN switch is set to the [A] or
[B] position, fader start button operation is linked to the
operation of the cross fader (and unlinked to channel fader).
¶
When the CROSS FADER ASSIGN switch is set to the
[THRU] position, fader start button operation is linked to the
operation of the channel fader (and unlinked to cross fader).
18. Channel fader lever
Use to adjust sound volumes for each channel. (adjustable
range: –∞ to 0 dB)
Output is in accordance with the channel fader curve selected
with the CH FADER curve switch.
19. CROSS FADER ASSIGN switch
This switch assigns each channel’s output to either right or
left side of the cross fader (if multiple channels are assigned to
the same side, the result will be the combined sum of the
channels).
A:
The selected channel is assigned to the cross fader’s A (left)
side.
THRU:
The channel fader’s output is sent as is to the master output,
without being passed through the cross fader.
B:
The selected channel is assigned to the cross fader’s B (right)
side.
20. Channel fader curve switch (CH FADER)
This switch allows the user to select from three types of
channel fader curve response. This setting is applied equally
to channels 1 to 4.
¶ At the left setting, the curve operates to produce a rapid
rise as the channel fader approaches its distant position.
¶ At the right setting, the curve operates to produce an even,
neutral rise throughout the channel fader’s movement.
¶ At the middle setting, an intermediate curve is produced,
midway between the two curves noted above.
21. Cross fader curve switch (CROSS FADER)
This switch allows the user to select from three types of cross
fader curve response.
¶ At the left setting, the curve produces a rapid signal rise.
(As soon as the cross fader lever leaves the [A] side, the [B]
channel sound is produced.)
¶ At the right setting, the curve operates to produce an even,
neutral rise throughout the cross fader’s movement.
¶ At the middle setting, an intermediate curve is produced,
midway between the two curves noted above.
22. Cross fader lever
Outputs sound assigned to [A] and [B] sides in accordance
with setting of the CROSS FADER ASSIGN switch, and subject
to the cross fader curve selected with the CROSS FADER
curve switch.
Master output control section
23. Master output level dial (MASTER LEVEL)
Use to adjust the master output level. (adjustable range: –∞ to
0 dB)
The master output is the sum combination of the sound from
channels set to [THRU] with the CROSS FADER ASSIGN
switch; the signal passed through the cross fader; and the
signals from microphone 1 and microphone 2 (if the effect
selector is set to [SND/RTN], the RETURN input is also
added).
24. Master level indicator (MASTER L, R)
These segment indicators display the output level from L and
R channels. The indicators have a two-second peak hold.
25. Master balance dial (BALANCE)
Use to adjust the L/R channel balance for master output,
booth monitor output, recording output, and digital output.
26. Master output STEREO/MONO selector switch
When set to [MONO], the master output becomes a monaural
combination of L+R.
Booth monitor control section
27. BOOTH MONITOR level control dial
This dial is used to adjust the booth monitor output volume.
The volume can be adjusted independently of the master
output level. (adjustable range: –∞ to 0 dB)
Headphones output section
28. Headphones output switch
(MONO SPLIT/STEREO)
MONO SPLIT:
The audio source selected with the headphone CUE button is
output to the L channel, and the master audio is output to the
R channel (only when headphone CUE button is used to select
[MASTER]).
STEREO:
The audio source selected with the headphone CUE button is
output in stereo.
29. Headphones mixing dial (MIXING)
When rotated clockwise (toward [MASTER]), the master
output audio is produced at the headphones (only when
[MASTER] has been selected with the headphones CUE
button); when rotated counterclockwise (toward [CUE]), the
headphones output becomes the mixture of the effect
monitor and the channel selected with the headphone CUE
button.
NAMES AND FUNCTIONS OF PARTS (OPERATION PANEL)