Yamaha MT 400 Musical Instrument User Manual


 
23
—Owner’s Manual
5 Press the [PAUSE] button, then the
button.
Tracks 1 and 2 REC SELECT indicators light up contin-
uously and the MT400 enters recording pause mode.
6 Set the fader on each input channel and the
STEREO fader to the 7–8 mark.
7 While checking the level meters, adjust the
recording level using the GAIN controls and
faders on Input Channels 1–4, and the
STEREO fader. Also adjust the stereo position
of the sound sources using the PAN controls
on Input Channels 1–4.
It is best to first play each source while adjusting the
GAIN controls, then use the input channel faders and
the STEREO fader to obtain a good balance between
the sounds.
8 Set the monitor select switch to “CUE” and
use the CUE controls to adjust the
monitoring level on Tracks 1 and 2.
You can monitor the recording sources for Tracks 1
and 2 (in this example, Input Channel 1–4 signals) via
the CUE bus.
9 Adjust the level and pan of each channel
signal while monitoring the sound through
the headphones or the audio system. Adjust
tonal quality, if necessary, with the EQ
controls.
0 Press the [PAUSE] button to cancel pause
mode and start recording.
A Press the [STOP] button to stop recording.
Tracks 1 and 2 REC SELECT indicators flash.
B Rewind the tape to the beginning and listen
to the recording.
If you are satisfied with the recording, set the [REC
SELECT] switches on Tracks 1 and 2 to “OFF”.
Signal flow during multi-channel mixing
REC
Note: The CUE bus monitoring signal is monaural.
If you wish to monitor a stereo signal, set the
monitor select switch to “STEREO” to select the
Stereo bus instead of the CUE bus. (This is
convenient if you wish to check the stereo position of
each channel.)
MIC/LINE INPUT 1
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE MIC
12 +12
MID
12 +12
LOW
12 +12
AUX
1
010
AUX
2
MIX CUE
MIX CUE MIX CUE MIX CUE
010
010
PAN
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to L
LR
1
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE MIC
12 +12
MID
12 +12
LOW
12 +12
AUX
1
010
AUX
2
010
010
PAN
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to R
LR
2
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE MIC
12 +12
MID
12 +12
LOW
12 +12
AUX
1
010
AUX
2
010
010
PAN
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to L
LR
3
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE MIC
12 +12
MID
12 +12
LOW
12 +12
AUX
1
010
AUX
2
010
010
PAN
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to R
LR
4
MIC/LINE INPUT 2 MIC/LINE INPUT 3 MIC/LINE INPUT 4
PHONES
MONITOR OUT
STEREO OUT
STEREO
10
9
8
7
6
5
4
3
2
1
0
Track 1
Track 2
Track 3
Track 4
Stereo bus
L
R