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24
—Owner’s Manual
Ping-Pong Recording
The ping-pong recording technique allows you to mix and record several tracks onto another
empty track. This is often used to free up tracks for more recording, since those original tracks
are then used for further recording. This technique is useful when you wish to record many
different instruments or sound sources individually. The following illustration shows that the
ping-pong technique and overdubbing allows you to record seven sound sources.
This section explains how to mix and record existing Tracks 1–3 data onto Track 4 as an
example.
1 Set the [INPUT–FLIP] switches on Input
Channels 1–3 to “TAPE ( )”, and the
[INPUT-FLIP] switch on Input Channel 4 to
“MIC/LINE ( )”.
Playback sound on Tracks 1–3 is sent via Input
Channels 1–3 to the Stereo bus.
2 Set the [REC SELECT] switch on Track 4 to
“R”.
The Track 4 REC SELECT indicator flashes, and the R
channel of the Stereo bus signal is selected as a
recording source for Track 4. Set the [REC SELECT]
switches on Tracks 1–3 to “OFF”.
A
B
C
F
G
D+E
A+B+C
A
B
C
A+B+C
D
E
C
A+B+C
D
E
D+E
A+B+C
Ping-pong
recording
The first recording,
( + Overdubbing)
Ping-pong
recording
Overdubbing Overdubbing
Track 1
Track 2
Track 3
Track 4
– +
STEREO
+6
+3
0
–5
–10
+6
+3
0
–5
–10
POWER
A
U
X
S
E
N
D
STEREO INPUT
METER SELECTREC SELECT
MONITOR/PHONES
ZERO STOP
PITCH
NOISE REDUCTION SYSTEM
TAPE SPEED CONTROL
RL
REC
PLAY REW FF STOP PAUSE
OFF
R
OFF
L
OFF
R
OFF
L
ON
OFF
ON
OFF
SYNC
STEREO
ST+CUE
CUE
MULTITRACK CASSETTE RECORDER
M
IC
/L
IN
E
IN
P
U
T
INSERT I/O
INSERT I/O
1
2
1
2
3
4
5
L 6R 8R7L
4.8/ 9.5
LEVEL
STEREO
7
L–8R
010
LEVEL
5L–6R
010
LEVEL
MIN MAX
10
9
8
7
6
5
4
3
2
1
0
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE MIC
–12 +12
MID
–12 +12
LOW
–12 +12
AUX
1
010
AUX
2
MIX CUE
MIX CUE MIX CUE MIX CUE
010
010
PA N
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to L
LR
1
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE MIC
–12 +12
MID
–12 +12
LOW
–12 +12
AUX
1
010
AUX
2
010
010
PA N
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to R
LR
2
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE MIC
–12 +12
MID
–12 +12
LOW
–12 +12
AUX
1
010
AUX
2
010
010
PA N
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to L
LR
3
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE MIC
–12 +12
MID
–12 +12
LOW
–12 +12
AUX
1
010
AUX
2
010
010
PA N
INPUT-FLIP
TAPE
TAP E
MIC/
LINE
MIC/LINE
to R
LR
4
4321
431 4TR2
REC
4
3
2
8
1
6
A
5
09 7
B