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Category
PD
GT
KS
KS
BA
ET
KS
KS
KS
KS
EN
LD
RD
KS
RD
KS
KS
LD
KS
KS
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
VH
SE
SE
BA
BA
BA
BA
BA
LD
LD
LD
LD
LD
LD
BA
BA
BA
LD
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
PF
PC
SE
SE
SE
SE
GT
GT
GT
GT
GT
GT
GT
GT
GT
GT
GT
LD
LD
LD
Performance Name
Emperors
GuitarShop
Dune
Box Bass Man
Fat Boy
Mod-Sitar
Good Day
Red Beard
It's Cool
Swing Jazz
Mountn Voice
VL-Horn
Moody Sax
Midnight
Wood Winds
Bamboo
Blues
VA-Leed
Brass
Ophelia
2-Oct Unison
Silent Voice
Male Chorus
WhiteChrisms
DetuneChorus
FlangeDetune
Big Chorus
Oct Unison
D.TonicChors
TremoloChors
Duet Chorus
Female Solo
Heavy Chorus
Flange Voice
Open3Harmony
A Woman&Mans
FemaleChorus
Mr.Bassman
MovieVoice
DonaldVoice
SpaceZoo
StoneHng
Whizzer
SimpleBa
ClavBass
SuperBas
New Slap
RockPigs
BuzzSaw
ZubZub
OsciLead
SqrLead
Bigger
AnaSquid
SharpSyn
AnaWave
AnaWurl
FngerBass
Upright
Fnground
Birdland
FlageoBs
DampBass
Fretles!
Frtles!2
ThumBass
RockBass
WarmBass
BassCab
AcidBas!
SqrBass!
BoppaBas
BuzzrBas
TekBass
TranzBas
Chamlion
ParaSynB
SteamBas
WhelkBas
AttackSyn
Q.Klav
DinoPerc
Formula
SpcHorse
Jason
Suedhead
Spanish
JazzGtr!
JazzyGtr
L7 Pluck
WetPluck
Comp Gtr
FunkyGtr
Thin Gtr
Carlos
Destiny
Gonzo
Old Mini
ResoSqr
WurliLd
Comment
Play boldly. Try moving MW and AT.
Distortion guitar. Don't worry about VL=Mono. Be careful not to overdo AT.
Impressionist music.
VL synth bass.
Vintage analog synth.
Sitar. MW changes the tone.
Analog-like synth.
Shakuhachi in the wilderness. Try moving PB.
Classy jazz with both hands.
Bass and melody for swing jazz.
Distant howling with PB, growling with AT.
The definitive VL sound. AT controls the noisy sound. Try moving PB and AT.
Gentle evening sax.
A night on the town. AT controls downward bending.
A pastoral sound.
Superb left-hand technique.
Blues. Everything depends on how you use AT.
Solo synth.
Ideal if you use AT for vibrato.
Good for lonely melodies.
Male/female unison. Good for scat singing. (Chromatic harmony)
Great for Christmas eve or Gospel singing. (Vocoder harmony)
Male chorus. (Vocoder harmony)
Try singing "White Christmas" with this. (Chordal harmony)
Doubling for the main vocal. (Detune harmony)
Flanger detuning. (Detune harmony)
VH number one wide chorus. (Chordal harmony)
Unison with bass voice. (Chromatic harmony)
Interesting to sing diatonically. PCM will not sound. (Vocoder harmony)
Mixed chorus with tremolo. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)
Harmonizes a third above. (Chordal harmony)
Female solo vocal. No harmony is added. (Chromatic harmony)
Chorus centered on bass (Chordal harmony)
Flanger is applied. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)
Two-person harmony on pedal bass. (Chordal harmony)
Male chorus with one female singer. (Chordal harmony)
Female chorus with falsetto mixed in. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)
Try with sound effect-like voices. Likewise for the backup. (Chromatic harmony)
Try using a sound-effect-like voice. The same for backing. (Chromatic harmony)
Sing like a child. No harmony is added. (Vocoder harmony)
Try moving PB and AT in various.
MW produces a sustained sound.
Long sustaining synth tone similar to bass guitar harmonics.
Straight ahead synth bass with some distortion.
Bass sound with both electric/acoustic and synthesizer qualities. If you use foot contorller you can get "clavinet" style overtones.
DX7 style slapped bass.
New type slap bass with punchy power.
Organ-type synth lead sound. AT produces a neighing effect.
Play with lots of MW filter control.
Biting analogue synth sound. MW filter control.
Octave synth lead sound.
Nice Square lead tone. Lowering FC (#4) opens filter.
Big analog sound - velocity controls filter and volume
Analogue synth type sound with MW filter control.
Slightly mode unstable velocity sensitive sound.
Analogue synth type sound.
Velocity sensitive sound somewhat like a Wurlitzer EP passed through a resonant filter.
Vigorous finger bass sound.
Simulation of accoustic bass.
Finger bass with particular sound of rear pick up.
Midway between an analog synth and an electric bass sound. The high range produces harmonics.
Harmonics of a fingerd electric bass
Damped Pluck-Bass with a dry speaker sound
Fretless bass usable for either rhythm or melody.
Another fretless bass, good for melody play.
Thumped Bass
Heavy overdrive rock bass sound.
Warm electric Precision bass sound. Use foot controller to make sound brighter.
Slightly distorted electric bass with Resonator simulation of speaker cabinet tone.
Bass sound for acid jazz.
Square wave synth bass.
Synth bass with sub-octave undertone.
FM style, bright and buzzy electronic keyboard bass. For fast tempo trance, acid, house, and techno style sequenced basslines.
Synth bass with sub-octave undertone.
TB303 style synth bass. For fast tempo trance, acid, house, and techno style sequenced basslines.
Dry Synthbass.
Strong, up-front synth bass, ideal for 70's Jazz-Funk. If you like that sort of thing.
Use lots of Pitch Bend (Embouchure) for finger slides. Gives greater tonal variety.
Synth bass. Velocity controls tonal change.
Synth bass sound with strong attack.
Deeply funky clav sound. Try with Phasing on in Chorus section, or alter low and upper mid with Equaliser in modifier section. Altering the Aural Exciter parameters will also have a big effect.
Use with different combinations of MW and PB to produce complex noise percussion.
Engine-like sound effect.
While applying MW, add AT to create a neighing sound.
Use the MW to turn this into a strongly noisy sound effect.
Sound effect. Make liberal use of Modulation Wheel.
Spanish type acoustic guitar.
Electric guitar suitable mainly for jazz.
Velocity dynamic jazz style sustaining guitar lead.
A classic pluck sound.
A guitar sound that readily accepts effects such as flanging.
Compressed. clean electric strat guitar sound.
Snappy "70's style" funk guitar, for rhythm and comping
Clean uncompressed electric guitar with "thin gauge" new strings, good for country, R&B, lead solos etc.
Overdrive guitar, front pick up type.
Distortion guitar by using of hard attacked synth lead. Control change 13 for feedback effect.
Velocity controlled. Pitch Wheel down controls noise effect.
A classic analog synth solo sound.
Lowering FC (#4) opens filter.
Dark, reed electric piano style synth lead.
Performance List
(Internal Performance List 1 MSB=002, LSB=000)
PF : piano CP : chromatic percussion OR : organ, accordion, harmonica GT : guitar BA : bass ST : strings EN : ensemble BR : brass
RD : reed PI : pipe LD : synth lead PD : synth pad FX : synth effects ET : ethnics PC : percussive SE : sound effects CO : combinations
KS : keyboard splits SC : synth comp VH : Harmony Effect