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6.2 Preset table
Preset Filter 1 Filter 2 Filter 3 Filter 4 Filter 5 Filter 6 Filter 7 Filter 8 Filter 9 Filter 10 Filter 11 Filter 12
1
L
SI SI SI SI SI SI SI SI SI AU AU AU
R
SI SI SI SI SI SI SI SI SI AU AU AU
2
L
SI SI SI SI SI SI SI AU AU AU AU AU
R
SI SI SI SI SI SI SI AU AU AU AU AU
3
L
AU AU AU AU AU AU AU AU AU AU AU AU
R
AU AU AU AU AU AU AU AU AU AU AU AU
4
Couple
125 Hz 160 Hz 200 Hz 250 Hz 315 Hz 400 Hz 500 Hz 630 Hz 800 Hz 1 k 1.25 k 1.6 k
5
Couple
40 Hz 63 Hz 100 Hz 160 Hz 250 Hz 400 Hz 630 Hz 1 k 1.6 k 2.5 k 4 k 6.3 k
6
L
SI SI SI AU AU AU AU AU PA def PA def PA def PA def
R
SI SI SI SI SI AU AU AU PA def PA def PA def PA def
7
L
SI SI SI SI SI SI SI SI PA def PA def PA def PA def
R
SI SI SI SI SI SI SI SI PA def PA def PA def PA def
8
Couple
PA PA PA d. PA d. SI SI SI SI SI SI SI SI
40 Hz 80 Hz
1 Oct. 1 Oct.
-8 dB -4 dB
9
L, R
SI SI SI SI SI SI SI AU AU PA PA PA
SI SI SI SI SI SI SI AU AU PA PA PA
10
Couple
SI SI SI SI SI SI SI AU AU PA PA PA
MONO: 9 single shot filters attenuate room resonances before 3 automatic filters destroy variable feedbacks
Channels coupled, changes on one channel are valid for both
2 x MONITOR AS FEEDBACK DESTROYER ONLY: 7 single shots / 5 automatic filters for most monitor setups
MONO AUTO PILOT: 12 Filters per channel constantly chase and destroy feedbacks.
STEREO PARAMETRIC EQ: Preset with 12 ISO frequencies, all set to 2/3 Oct., Gain + 0 dB
STEREO FREE
STEREO PARAMETRIC EQ: Preset with 12 ISO frequencies, all set to 1/3 Oct., Gain + 0 dB
2 x MONO: Sample monitoring, left for handheld (lead) microphone(s), right for fixed (backing) ones
MONO PARAMETRIC AND SINGLE SHOT FILTERS: A good start for a monitor equalization
STEREO FOH EQ, providing 4 parametric EQ’s (low roll off in filter 1 and 2), plus 8 single shot filters
MONO FREE
Tab. 6.2: Factory presets
6. APPENDIX